User:Gerusamaso/sandbox

= Themes in Literature - Isolation and Community/The Happy Prince = TEXT

Oscar Wilde's tale "The Happy Prince" is a well-known short story about friendship, kindness, and how selfless love can heal. It was first published in 1888 as part of the collection The Happy Prince and Other Tales (Wikipedia). Other stories in the collection are "The Nightingale and the Rose," "The Selfish Giant," "The Devoted Friend," and "The Remarkable Rocket."  The Happy Prince and Other Tales is a classic book popular among kids and adults. People have looked at the book from many different angles. Through the stories in the book, Wilde criticizes Victorian society in ways that are still relevant today. “The Happy Prince” is an old story, but its message still makes people think about what kind of world they want to live in.

Read the first edition here.

ABOUT OSCAR WILDE
Oscar Wilde wrote some of his most vivid and dramatic stories during the Victorian Era in late 1800s England when London was at the pinnacle of wealth inequality. His marriage to Constance Lloyd, the daughter of a prominent barrister, who was well-read, spoke several European languages fluently and had a strong, independent personality (Harris) gave the couple two sons, Cyril and Vyvyan (Wikipedia contributors, “Oscar Wilde”). Wilde’s most creative period, 1887 to 1900, followed after he accepted the position of editor of the fashion and arts magazine The Woman's World, to which he added serious articles on politics, culture, and parenting (Wikipedia contributors, “Oscar Wilde”). His two collections of children's stories were  and The House of Pomegranates (1900). His first and only novel, The Picture of Dorian Gray, was published in the American magazine Lippincott’s Monthly in 1890, whose homoerotic elements sparked a storm of criticism among its reviewers, some of whom accused Wilde of “being a hedonist with values that deviated from the conventionally accepted morality of Victorian Britain (Wikipedia contributors, “The Picture of Dorian Gray”). He was a spokesperson for the Aesthetic Movement (“Art for The Sake of The Art”) in England, and his involvement in a civil and criminal case involving homosexuality landed him in jail. Oscar Wilde died on November 30, 1900, in Paris (Ellman).

THE PLOT

The statue of the recently deceased Happy Prince stands high above the city on a tall column. He watches over the city in agony as his people suffer. A small Swallow flies over the city one night. Six weeks before, his friends had gone to Egypt for the winter, but he had stayed behind because he was in love with the most beautiful Reed. He arrives in town and takes refuge at the feet of the Happy Prince’s statue. The Swallow notices the prince was crying, and the prince explains that he is sad because he had spent his entire life in palace, despite all the misery in his kingdom, and had never experienced such pain. Now that he is a statue, he can see his people's suffering, so he requests that the Swallow distribute the gemstones and gold leaves from his form to various families in need.

Because the Swallow has come to love the prince, he stays with him. When winter arrives, the Happy Prince statue loses its beauty, and the Swallow dies from the harsh cold, thus breaking the prince’s heart. When the city Mayor notices the statue's poor condition, he decides to demolish it, melt it, and erect a new statue of himself. The prince’s lead heart and the Swallow are discarded because they seem worthless to the Mayor and Town Councilors. However, when God requests that an Angel bring him the most valuable items in the city, the Angel brings him the dead Swallow and the Prince's heart. God tells the Angel he has rightly chosen.

THE CHARACTERS

THE PRINCE The Happy is revived from the dead as a golden statue and placed on a platform overlooking his domain. The Happy Prince's monument is characterized as gorgeous, and his name is an irony reflecting his anguish at seeing his kingdom's inequity. Despite his given name, laments his city's tragedy and the lack of compassion shown by those in positions of affluence toward those in need.

THE SWALLOW

On his way to Egypt, the Swallow stops to rest on the statue of the Happy Prince. When asked to assist the townspeople, he is initially standoffish towards the Prince’s requests. Eventually, the Swallow becomes a generous, compassionate, and friendly creature. He falls in love with the Prince and stays with him until his death.

THE REED

Although she only appears briefly in the story, the Reed is responsible for the Swallow's delay in traveling to Egypt. He tries to court her. However, his friends criticize the relationship because of her poverty and numerous lovers. She decides not to travel to Egypt with the Swallow, effectively ending their relationship.

LITTLE MATCH-GIRL

She a child weeping because she dropped her matches in the gutter and cannot bring her father any money. She is afraid her father will hit her. The swallow gives him the Happy Prince's second sapphire.

TOWN COUNCILORS

They first appreciate the monument's appearance, but then refer to it as "shabby" and finally destroy it to replace it with a statue of the mayor.

A BEATIFUL GIRL She was dissatisfied with the seamstress's preparation of her dress for the state ball, and she told her boyfriend about it.

A SEAMSTRESS

She is embroidering passionflowers on a satin robe for a member of the royal family, but she has nothing to feed her sick child. The swallow gives her the Happy Prince's ruby.

THE PLAYWRIGHT

He is attempting to complete a play for the Theatre Director, but he is too chilly and hungry to continue writing. The swallow sends him a sapphire from the Happy Prince.

THE OLD JEW GROUP

They are negotiating and using copper scales to weigh money.

GOD

He requests that an angel deliver him the two most valuable items in the city. The angel sends him the heart of lead and the corpse of the bird. God affirms that the angel made the correct decision.

ART PROFESSOR AT THE UNIVERSITY

He declares The Happy Prince Statue to be worthless since it has lost its attractiveness.

THEMES

BEAUTY Oscar Wilde was a huge advocate for the Aesthetic Movement – Art for The Sake of The Art - that influenced most of his work. The narrator of “The Happy Prince” starts by describing the aesthetic beauty of the prince’s statue and its majesty, focusing on the richness of the statue: “High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.”

One of the Council members' opinions reveals that his values were foolish and based on the external aesthetic and beauty: "He is as beautiful as a weathercock," remarked one of the Town Councilors who wished to gain a reputation for having artistic tastes; ‘only not quite so useful,’ he added, fearing lest people should think him unpractical, which he really was not.”

Such values based on external beauty appear to be contagious and a common behavior among the privileged class of society of the tale. The narrator describes the Happy Prince’s statue from the perspective of a child and his Master. The children's view of the statue as perfect reflects the information they receive about the world in which they live:

He looks just like an angel," said the Charity Children as they came out of the cathedral in their bright scarlet cloaks and their clean white pinafores. "How do you know?" said the Mathematical Master, "you have never seen one." "Ah! but we have, in our dreams," answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of children dreaming.

The concept of beauty takes precedence over the usefulness or utility of things. It demonstrates society's obsession with beauty as surface. The fact that the characters in the story who appreciate beauty appear to be all from high society is satirizing society's lack of understanding of what is the beauty of art and what is useless.

INEQUALITY

Another major theme in "The Happy Prince" is inequality. The gluttony of the wealthy contributes significantly to the misery of the less fortunate. Because they are unconcerned about the anguish of those in need, greedy people's behavior is what makes life so miserable in this tale. The Swallow watches the city below him and its inequity while flying to aid someone in need: "He went over the Ghetto, and observed the elderly Jews negotiating with one other, and weighing out money in copper scales." He also notices the beautiful girl moaning to her lover about the seamstress's poor work, which may cause her dress to be late for the night ball. On the other hand, a poor youngster was tossing and turning in his bed, and his mother, the seamstress, had fallen asleep exhausted of a job that did not pay her enough to purchase her son medication. Moreover, when the Happy Prince asks that the Swallow fly over his kingdom and tell him what he sees; observes the following: “So, the Swallow flew over the great city, and saw the rich making merry in their beautiful houses, while the beggars were sitting at the gates. He flew into dark lanes and saw the white faces of starving children looking out listlessly at the black streets.”

This story is an open and honest critique of the privilege that existed in that society at the time, which only served to reinforce cycles of inequality and separation for those in need. This critique is timeless because, despite being pointed out, society continues to maintain its unequal conditions.

LOVE AND KINDNESS

“The Happy Prince” also conveys a positive message about the transformative power of love and compassion. The prince embodies the same values as Jesus, who gave his life to suffer to alleviate humanity's suffering. Previously unaware of his kingdom's inequity, the prince now sees how society behaves and the consequences. To make up for his previous life of luxury, he devotes himself to helping others and save his kingdom. In the beginning of the story, the Happy Prince expresses his dissatisfaction with his past when he says:

When I was alive and had a human heart […], I did not know what tears were, for I lived in the Palace of Sans- Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening, I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So, I lived, and so I died. And now that I am dead, they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead, yet I cannot choose but weep.

Love and kindness spread like wildfire. The Swallow pauses his journey to Egypt to assist the prince in his efforts to help those in need of his kingdom. Such actions make the Swallow realize how good it is to help others; once he returns from his first flight to assist a needy family, the Swallows share with the Happy Prince how he feels about it: "It is curious, […] but I feel quite warm now, although it is so cold." The prince explains: "That is because you have done a good action.” Love serves as a countervailing force to the unfairness and decaying standards of the society. The beauty of this Wilde tale is that even though it was written and published more than a century ago, the lessons it contains about life continue to be relevant even today.

SYMBOLS

CHILDREN Wilde used innocent characters to show how society's harmful deeds may tarnish a child's innocence and lead to the recurrence of cycles of inequity and injustice. Children were invoked as symbols of human greed and injustice's devastating force. For instance, when the speaker narrates “He passed over the river, and saw the lanterns hanging to the masts of the ships. He passed over the Ghetto, and saw the old Jews bargaining with each other, and weighing out money in copper scales. At last he came to the poor house and looked in. The boy was tossing feverishly on his bed, and the mother had fallen asleep, she was so tired. In he hopped, and laid the great ruby on the table beside the woman's thimble. Then he flew gently round the bed, fanning the boy's forehead with his wings. 'How cool I feel," said the boy, "l must be getting better"; and he sank into a delicious slumber.”

LEAD HEART When the prince’s dear friend, the Swallow, died of cold, the prince’s lead heart cracked into pieces. The mayor of the city then melts the Happy Prince statue to construct a new statue of himself, and the lead heart is thrown away as garbage, but is rescued by one of God’s angels. The lead heart represents genuine beauty, not superficial beauty. Although the Happy Prince was made of gold and stone gems, his true beauty lay within.

THE STATUE   

“The Happy Prince” is a parable used to communicate Christian values to a dysfunctional society. The statue represents Jesus and his tender love for humanity, who saw the suffering and dedicated his life on earth to helping those in need.

FURTHER READING

◆    The Happy Prince and Other Tales 8

♣  The Picture of Dorian Gray

♥   Manuscripts and Letters of Oscar Wilde

DID YOU KNOW?

●     That Oscar Wilde was charged and imprisoned for indecency?

●     That as part of the French Revolution, homosexuality was no longer against the law in France, so Wilde’s friends urged him to run away to France?

●      That Wilde was born to a wealthy family and died in a Paris hotel, penniless?

●     That some of the original manuscripts of Oscar Wilde's work are available at Morgan Library and Museum in New York? Check the link below to see the remaining original manuscripts of The Picture of Dorian Gray.

FUN FACT

♣ The British silent comedy film Lady Windermere's Fan, directed by Fred Paul and starring Milton Rosmer, was released in the United Kingdom in 1916. Lady Windermere's Fan was the first cinematic version of Oscar Wilde's 1892 drama. Check out the movie in the link below.

Lady Windermere's Fan ♦ One of the oldest bars in New York City has been transformed into a tribute to Oscar Wilde and Victorian-era bohemia. In December 1933, the Volstead Act is abolished, and Oscar Wilde's statue is rected, making the location into a symbol of his bohemian lifestyle (“The Volstead Act”).

Check out the place her here: Oscar Wilde NYC