The Lyrics of Henry VIII/Appendix 3

A

 * Ackerman, Phyllis. Tapestry: The Mirror of Civilization. Oxford: Oxford UP, 1933.
 * Agricola, Alexandri. Opera Omnia. Alexander Agricola: Collected Works Vol. 4. Edward R. Lerner, ed. Neuhausen-Stuttgart: American Institute of Musicology, 1966.
 * Akrigg, G. P. V. “The Literary Achievement of King James I.” University of Toronto Quarterly 44 (1975): 115-29.
 * Aldis, Harry G. A List of Books Printed in Scotland Before 1700. Edinburgh: National Library of Scotland, 1970.
 * Albrecht, Hans, ed. Georg Rhau: Musikdrucke aus den Jahren 1538 bis 1545. Hanover: Kassell, 1959.
 * Anglo, Sydney. Spectacle, Pageantry, and Early Tudor Policy. Oxford: Clarendon P, 1969.
 * ---. The Great Tournament Roll of Westminster. Oxford: Clarendon P, 1968.
 * ---. “The Court Festivals of Henry VII: A Study Based Upon the Account of John Heron, Treasurer of the Chamber.” Bulletin of the John Rylands Library 43.1 (1960): 12-45.
 * ---. “The Evolution of the Early Tudor Disguising, Pageant, and Mask.” Renaissance Drama [n.s.] 1 (1968): 12-45.
 * ---. “William Cornish in a Play, Pageants, Prison, and Politics.” Review of English Studies [n.s.] 10 (1959): 353-7.
 * Anonymous. A Most pleasant Comedie of Mucedorus the Kings sonne of Valentia and Amadine the Kings daughter of Arragon, with the merie conceites of Mouse. London: William Iones, 1598.
 * Anonymous. The Castle of Perseverance. In The Macro Plays. Mark Eccles, ed. Oxford: Oxford UP, 1969.
 * Anonymous. The Jousts of June. [Here begynneth the Iustes and tourney of ye moneth of Iune parfurnysshed and done by Rycharde Graye erle of Kent/by Charles brandon wt theyr two aydes agaynst all comers. The .xxii. yere of the reygne of our souerayne lorde kynge Henry ye seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
 * Anonymous. The Jousts of May. [Here begynneth the Iustes of the moneth of Maye parfurnysshed & done by Charles brandon. Thomas knyuet. Gyles Capell & Wyllyam Hussy. The .xxii. yere of the reygne of our souerayne lorde Kynge Henry the seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
 * Anonymous. The Riddles of Heraclitus and Democritus. London: Arn. Hatfield for Iohn Norton, 1598.
 * Anonymous. Two Wise Men and All the Rest Fooles. London: 1619.
 * Arber. Arber, Edward. Dunbar Anthology. (Dunbar and his Times.)
 * Arber, Edward. Dunbar and his Times. [Dunbar Anthology.] London: Frowde, 1900 [repr. 1984].
 * Arn, Mary-Jo, ed. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
 * Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
 * Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.
 * Anonymous. The Castle of Perseverance. In The Macro Plays. Mark Eccles, ed. Oxford: Oxford UP, 1969.
 * Anonymous. The Jousts of June. [Here begynneth the Iustes and tourney of ye moneth of Iune parfurnysshed and done by Rycharde Graye erle of Kent/by Charles brandon wt theyr two aydes agaynst all comers. The .xxii. yere of the reygne of our souerayne lorde kynge Henry ye seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
 * Anonymous. The Jousts of May. [Here begynneth the Iustes of the moneth of Maye parfurnysshed & done by Charles brandon. Thomas knyuet. Gyles Capell & Wyllyam Hussy. The .xxii. yere of the reygne of our souerayne lorde Kynge Henry the seuenth.] London: 1507. [See Kipling (“Queen of May’s Joust”).]
 * Anonymous. The Riddles of Heraclitus and Democritus. London: Arn. Hatfield for Iohn Norton, 1598.
 * Anonymous. Two Wise Men and All the Rest Fooles. London: 1619.
 * Arber. Arber, Edward. Dunbar Anthology. (Dunbar and his Times.)
 * Arber, Edward. Dunbar and his Times. [Dunbar Anthology.] London: Frowde, 1900 [repr. 1984].
 * Arn, Mary-Jo, ed. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
 * Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
 * Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.
 * Arber, Edward. Dunbar and his Times. [Dunbar Anthology.] London: Frowde, 1900 [repr. 1984].
 * Arn, Mary-Jo, ed. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
 * Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
 * Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.
 * Ashbee, Andrew, ed. Records of English Court Music. Volume VIII (1485-1714). Aldershot: Scolar P, 1995.
 * Atlas, Allan, ed. The Capella Giulia Chansonnier: Rome. Biblioteca Apostolica Vaticana, C.G.XIII.27. Musicological Studies XXVII. 2 vols. New York: Institute of Mediæval Music, 1975.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.
 * Auerbach, Erna. Tudor Artists. London: Athlone P, 1954.

B

 * Baldwin, David. The Chapel Royal, Ancient and Modern. London: Duckworth, 1990.
 * Balestrieri, Elizabeth. “Prison/Anti-Prison: The Writings of Elizabeth I and Marguerite de Navarre.” 115-22 in Ginette Adamson and Eunice Myers, eds. Continental, Latin-American and Francophone Women Writers. Vol. 2. Lanham, MD: UP of America, 1987.
 * Banks, T. C. The Dormant and Extinct Baronetage of England. London: J. White, 1808.
 * Barbour, John. Barbour’s Bruce. 3 vols. Matthew P. McDiarmid, ed. Edinburgh: The Scottish Text Society, 1980-1986.
 * Barclay, Alexander. The Eclogues of Alexander Barclay. Beatrice White, ed. [Early English Text Society.] London: Oxford UP for EETS, 1928.
 * Barclay, Alexander. Here begynnyth a treatyse intitulyd the myrrour of good maners conteynynge the .iiii. vertues callyd cardynall. London: Richard Pynson, [1523].
 * Baron, Helen. “Mary (Howard) Fitzroy’s Hand in the Devonshire Manuscript.” Review of English Studies [n.s.] 179 (1994): 318-335.
 * Baumann, Uwe, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
 * Beal, Peter. Index of English Literary Manuscripts. Vol. 1, 1450-1625. London: Mansell, 1980-.
 * Becherini, Bianca. “Alcuni canti dell’Odhecaton e del cod. fior. 2794.” Bulletin de l’Institut Historique Belge de Rome 21 (1942-3): 327-48.
 * Beaufort, Margaret. The Earliest English Translation . . . of De imitatione Christi. John K. Ingram, ed. [EETS e.s. 63]. London: Early English Text Society, 1983.
 * Behrens, Betty. “A Note on Henry VIII’s Divorce Project of 1514.” Bulletin of the Institute of Historical Research 11 (1933-4): 163-4.
 * Berdan, John M. Early Tudor Poetry. New York: Macmillan, 1920.
 * Berners, John Bourchier, Lord. The Boke of Duke Huon of Burdeux Done into English by Sir John Bourchier, Lord Berners. [EETS e.s. 40, 41, 43, 50.] S.L. Lee, ed. Early English Text Society: London, 1882-7.
 * Bevington, David. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge, MA: Harvard UP, 1968.
 * Birrell, T.A. English Monarchs and Their Books: From Henry VII to Charles II. [The Panizzi Lectures, 1986]. London: The British Library, 1987.
 * Black. Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics.
 * Black, L. G. “A Lost Poem by Queen Elizabeth I.” Times Literary Supplement (May 23, 1968): 535. [See also the issues of 30 May 1968 (553), 6 June 1968 (597), 4 July 1968 (705) and 12 Sept. 1968 (1032).]
 * Black, Matthew W., ed. Elizabethan and Seventeenth-Century Lyrics. Chicago: J.B. Lippincott Co., 1938.
 * Black, William Henry. A Descriptive, Analytical, and Critical Catalogue of the Manuscripts Bequeathed unto the University of Oxford by Elias Ashmole. Oxford: Oxford UP, 1845.
 * Block, Adrienne F. The Early French Parody Noël. Ann Arbor, MI: U of Michigan P, 1983.
 * Bodleian Library. [Working Copies of] Bodleian Manuscript Catalogues. Music. Oxford: Bodleian Library (accessed 1995).
 * Bodleian Library. [Working Copies of] Bodleian Manuscript Catalogues. English Poetry. Oxford: Bodleian Library (accessed 1995).
 * Boffey. Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages.
 * Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages. Manuscript Studies 1. Woodbridge, Suffolk: D. S. Brewer, 1985.
 * ---. “Women Authors and Women’s Literacy in Fourteenth- and Fifteenth-Century England.” 159-182 in Carol M. Meale, ed. Women and Literature in Britain 1150-1500. Cambridge: Cambridge UP, 1993.
 * Bold, Henry. Latine Songs, With their English: and Poems. London: John Eglesfield, 1685.
 * Bontoux, Germaine. La Chanson en Angleterre au Temps d’Élisabeth. Oxford: Oxford UP, 1936.
 * Bournoulli E., and H. J. Moser, eds. Das Liederbuch des Arnt von Aich. Kassel: Barenreiter, 1930.
 * Bowers, Roger. “Early Tudor Courtly Song: An Evaluation of the Fayrfax Book (BL, Additional MS 5465).” 188-212 in Thompson, ed., The Reign of Henry VII.
 * Bradner, L. “The Xenophon Translation Attributed to Elizabeth I.” Journal of the Warburg and Courtauld Institutes 27 (1964): 324-326.
 * Bradshaw, Henry. The Life of Saint Werburge of Chester. [EETS 88.] C. Horstmann, ed. Early English Text Society: London, 1887.
 * Brennan, Michael G. “Two Private Prayers by Queen Elizabeth I.” Notes and Queries [n.s.] 32.1 (1985): 26-28.
 * Brooks, Catherine. “Antoine Busnois, Chanson Composer.” Journal of the American Musicological Society 6 [1953]:111-135.
 * Brooks, Sarah W. “Some Predecessors of Spenser.” Poet-Lore 1 (1889): 214-23.
 * Briggs Collection. Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century.
 * Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century. London: Plainsong and Mediæval Music Society, 1891.
 * British Library. Catalogue of Additions to the Manuscripts in the British Museum, 1882-1887. London: Trustees of the British Museum, 1889 [repr. 1968].
 * ---. Catalogue of Additions to the Manuscripts in the British Museum in the Years 1894-1899. Oxford: Oxford UP, 1969 [repr. of 1901 ed.].
 * ---. Index of Manuscripts in the British Library. Cambridge: Chadwyck-Healey, 1984.
 * ---. The Manuscript Index of First and Last Lines. Department of Manuscripts of the British Library. (Computer-generated list, accessed Fall 1995).
 * Brown, Howard Mayer, ed. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. 2 vols. Chicago: U Chicago P, 1983.
 * ---. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, MA: Harvard UP, 1968.
 * Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
 * Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
 * ---. Anne Boleyn. London: Collins, 1972.
 * Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * Boffey, Julia. Manuscripts of English Courtly Love Lyrics in the Later Middle Ages. Manuscript Studies 1. Woodbridge, Suffolk: D. S. Brewer, 1985.
 * ---. “Women Authors and Women’s Literacy in Fourteenth- and Fifteenth-Century England.” 159-182 in Carol M. Meale, ed. Women and Literature in Britain 1150-1500. Cambridge: Cambridge UP, 1993.
 * Bold, Henry. Latine Songs, With their English: and Poems. London: John Eglesfield, 1685.
 * Bontoux, Germaine. La Chanson en Angleterre au Temps d’Élisabeth. Oxford: Oxford UP, 1936.
 * Bournoulli E., and H. J. Moser, eds. Das Liederbuch des Arnt von Aich. Kassel: Barenreiter, 1930.
 * Bowers, Roger. “Early Tudor Courtly Song: An Evaluation of the Fayrfax Book (BL, Additional MS 5465).” 188-212 in Thompson, ed., The Reign of Henry VII.
 * Bradner, L. “The Xenophon Translation Attributed to Elizabeth I.” Journal of the Warburg and Courtauld Institutes 27 (1964): 324-326.
 * Bradshaw, Henry. The Life of Saint Werburge of Chester. [EETS 88.] C. Horstmann, ed. Early English Text Society: London, 1887.
 * Brennan, Michael G. “Two Private Prayers by Queen Elizabeth I.” Notes and Queries [n.s.] 32.1 (1985): 26-28.
 * Brooks, Catherine. “Antoine Busnois, Chanson Composer.” Journal of the American Musicological Society 6 [1953]:111-135.
 * Brooks, Sarah W. “Some Predecessors of Spenser.” Poet-Lore 1 (1889): 214-23.
 * Briggs Collection. Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century.
 * Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century. London: Plainsong and Mediæval Music Society, 1891.
 * British Library. Catalogue of Additions to the Manuscripts in the British Museum, 1882-1887. London: Trustees of the British Museum, 1889 [repr. 1968].
 * ---. Catalogue of Additions to the Manuscripts in the British Museum in the Years 1894-1899. Oxford: Oxford UP, 1969 [repr. of 1901 ed.].
 * ---. Index of Manuscripts in the British Library. Cambridge: Chadwyck-Healey, 1984.
 * ---. The Manuscript Index of First and Last Lines. Department of Manuscripts of the British Library. (Computer-generated list, accessed Fall 1995).
 * Brown, Howard Mayer, ed. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. 2 vols. Chicago: U Chicago P, 1983.
 * ---. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, MA: Harvard UP, 1968.
 * Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
 * Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
 * ---. Anne Boleyn. London: Collins, 1972.
 * Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * Briggs, Henry B. A Collection of Songs and Madrigals of the Fifteenth Century. London: Plainsong and Mediæval Music Society, 1891.
 * British Library. Catalogue of Additions to the Manuscripts in the British Museum, 1882-1887. London: Trustees of the British Museum, 1889 [repr. 1968].
 * ---. Catalogue of Additions to the Manuscripts in the British Museum in the Years 1894-1899. Oxford: Oxford UP, 1969 [repr. of 1901 ed.].
 * ---. Index of Manuscripts in the British Library. Cambridge: Chadwyck-Healey, 1984.
 * ---. The Manuscript Index of First and Last Lines. Department of Manuscripts of the British Library. (Computer-generated list, accessed Fall 1995).
 * Brown, Howard Mayer, ed. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. 2 vols. Chicago: U Chicago P, 1983.
 * ---. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, MA: Harvard UP, 1968.
 * Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
 * Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
 * ---. Anne Boleyn. London: Collins, 1972.
 * Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * ---. Theatrical Chansons of the Fifteenth and Early Sixteenth Centuries. Cambridge, MA: Harvard UP, 1968.
 * Brownlee, Kevin, and Walter Stephens, eds. Discourses of Authority in Medieval and Renaissance Literature. Hanover and London: Dartmough College [UP of New England], 1989.
 * Bruce, Mary L. The Making of Henry VIII. London: Collins, 1977.
 * ---. Anne Boleyn. London: Collins, 1972.
 * Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * ---. Anne Boleyn. London: Collins, 1972.
 * Byrd, William. Psalmes, Songs, and Sonnets: Some Solemn, Others Joyfull, Framed for Voyces of Voils of 3. 4. 5. and 6. Parts. London: Thomas Snodham, 1611.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.
 * Byrne, Muriel St. Clare. The Letters of King Henry VIII. London: Cassell, 1968.

C

 * Caldwell, James R., ed. Eger and Grime. Cambridge, MA: Harvard UP, 1933.
 * Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan. London: H. M. Stationery Office, 1912.
 * Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain. G. A. Bergenroth, et al., eds. London: Longmans, 1862-.
 * Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy. Ed. Rawdon Brown. London: Longmans, Green, Reader & Dyer, 1867.
 * Calendar of Patent Rolls, Henry VII. London: Public Record Office, 1916.
 * Campbell, Lily B., ed. A Mirror for Magistrates [1563]. Cambridge: Cambridge UP, 1938.
 * Campion, Thomas. The Works of Thomas Campion: Complete Songs, Masques, and Treatises with a Selection of the Latin Verse. Walter R. Davis, ed. New York: Doubleday, 1967.
 * Carley, James P., ed. The Libraries of King Henry VIII. London: British Library, 2000.
 * ---, ed., with David Starkey (preface). The Books of King Henry VIII and His Wives. London: British Library, 2004.
 * Carpenter, Nan. C. John Skelton. New York: Twayne, 1967.
 * ---. “Skelton and Music: Roty Bully Joys.” Review of English Studies 6 (1955): 279-84.
 * ---. “Skelton’s Hand in William Cornish’s Musical Parable.” Comparative Literature 22 (1972): 157-72.
 * ---. “St. Thomas More and Music: The Epigrams.” Renaissance Quarterly 30 (1977): 24-8.
 * ---. “Thomas More and Music: Stanyhurst’s Translation of the Abyngdon Epitaph.” Moreana 62 (1979): 63-8.
 * ---. “A Song for All Seasons: Sir Thomas More and Music.” Comparative Literature 33 (1981): 113-36.
 * Castiglione, Baldassare. The Book of the Courtier. Charles Singleton, trans. New York: Anchor, 1959.
 * Cavendish, George. The Life of Cardinal Wolsey [And metrical visions, from the original autograph manuscript]. Samuel Weller Singer, ed. Chiswick, UK: Harding, Triphook, and Lepard, 1825.
 * Caxton, William. The Recuyell of the Historyes of Troye. 2 vols. H. Oskar Sommer, ed. London: D. Nutt, 1894
 * ---. The Ryal Book or Book for a Kyng. Westminster: 1484.
 * Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies I. 5 vols. Neuhausen-Stuttgart: American Institute of Musicology, 1979-88.
 * Chambers Lyrics. Chambers, Edmund K. and F. Sidgwick. Early English Lyrics.
 * Chambers Verse. Chambers, Edmund K. The Oxford Book of Sixteenth Century Verse.
 * Chambers, Edmund K. Oxford Book of Sixteenth Century Verse. Oxford: Clarendon P, 1932.
 * ---. “Sir Thomas Wyatt.” 98-145 in Sir Thomas Wyatt and Some Collected Studies. London: Sidgwick & Jackson, 1933.
 * --- and F. Sidgwick. Early English Lyrics. London: A.H. Bullen, 1911.
 * Chappell Account. Chappell, William. “Some Account of an Unpublished Collection.”
 * Chappell Music. Chappell, William. Old English Popular Music.
 * Chappell Popular. Chappell, William. Popular Music of the Olden Time.
 * Chappell, William. “Some Account of an Unpublished Collection of Songs and Ballads of King Henry VIII and His Contemporaries.” Archaeologia 41.2 (1866): 371-386.
 * ---. Old English Popular Music. [revision by H. Ellis Wooldridge of Popular Music of the Olden Time (1853).] London: Chappell and Co., 1893.
 * ---. Popular Music of the Olden Time. [repr of 1859 ed.] New York: Dover Publications, 1965.
 * Charlton, E. “Devotional Tracts Belonging to Queen Katherine Parr.” Notes and Queries [ser. 1] 2 (1850): 212.
 * Chaucer, Geoffrey. The Riverside Chaucer. Third Edition. Larry D. Benson, gen. ed. Boston: Houghton Mifflin, 1987.
 * ---. The workes of Geffray Chaucer newly printed, with dyuers workes neuer in print before. [Thynne’s Chaucer]. W. Thynne, ed. London: T. Godfray, 1532.
 * Child, Francis James, ed. Middle English Lyrics and Ballads. [The English and Scottish Popular Ballads.] 10 pts.; 5 vols. London: Henry Stevens & Son, 1882-1898.
 * Chrimes, Stanley B. Henry VII. London: Eyre Methuen, 1972.
 * Chronicle. Chronicles of White Rose of York.
 * Chronicle of Calais. [Supposed author, Richard Turpyn.] Ed. J. G. Nichols. London: Camden Society, 1846.
 * Chronicles of White Rose of York: A Series of Historical Fragments, Proclamations, Letters and other Contemporary Documents Relating to the Reign of King Edward the Fourth. London: Bohn, 1900 [repr. 1983].
 * Cokayne, G. E., et al. The Complete Peerage. London: St. Catherine P, 1945.
 * Coldiron, A.E.B. “Translatio, Translation, and Charles d’Orleans’ Paroled Poetics.” Exemplaria 8 (1996): 169-92.
 * Courthope, W.J. “Sir Thomas Wyatt: Originality of Thought: Imitation of Foreign Models of Expression.” 44-67 in A History of English Poetry. Vol. 2: The Renaissance and Reformation: Influence of the Court and of the Universities. London and New York: Macmillan, 1897.
 * Coverdale, Miles. Goastly Psalmes and Spiritual Songes. London: 1538.
 * Craigie, W.A., ed. The Maitland Quarto Manuscript. Scottish Text Society n.s. 9. Edinburgh: Scottish Text Society, 1920.
 * ---, ed. The Maitland Folio Manuscript. Scottish Text Society n.s. 7 (v.1), 20 (v.2). Edinburgh: Scottish Text Society, 1919, 1927.
 * Crum. Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Also Addenda.
 * Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Oxford: Clarendon, 1969. Also Addenda. Card Catalogue [Duke Humphrey, Bodleian, Oxford].
 * CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * Chappell Account. Chappell, William. “Some Account of an Unpublished Collection.”
 * Chappell Music. Chappell, William. Old English Popular Music.
 * Chappell Popular. Chappell, William. Popular Music of the Olden Time.
 * Chappell, William. “Some Account of an Unpublished Collection of Songs and Ballads of King Henry VIII and His Contemporaries.” Archaeologia 41.2 (1866): 371-386.
 * ---. Old English Popular Music. [revision by H. Ellis Wooldridge of Popular Music of the Olden Time (1853).] London: Chappell and Co., 1893.
 * ---. Popular Music of the Olden Time. [repr of 1859 ed.] New York: Dover Publications, 1965.
 * Charlton, E. “Devotional Tracts Belonging to Queen Katherine Parr.” Notes and Queries [ser. 1] 2 (1850): 212.
 * Chaucer, Geoffrey. The Riverside Chaucer. Third Edition. Larry D. Benson, gen. ed. Boston: Houghton Mifflin, 1987.
 * ---. The workes of Geffray Chaucer newly printed, with dyuers workes neuer in print before. [Thynne’s Chaucer]. W. Thynne, ed. London: T. Godfray, 1532.
 * Child, Francis James, ed. Middle English Lyrics and Ballads. [The English and Scottish Popular Ballads.] 10 pts.; 5 vols. London: Henry Stevens & Son, 1882-1898.
 * Chrimes, Stanley B. Henry VII. London: Eyre Methuen, 1972.
 * Chronicle. Chronicles of White Rose of York.
 * Chronicle of Calais. [Supposed author, Richard Turpyn.] Ed. J. G. Nichols. London: Camden Society, 1846.
 * Chronicles of White Rose of York: A Series of Historical Fragments, Proclamations, Letters and other Contemporary Documents Relating to the Reign of King Edward the Fourth. London: Bohn, 1900 [repr. 1983].
 * Cokayne, G. E., et al. The Complete Peerage. London: St. Catherine P, 1945.
 * Coldiron, A.E.B. “Translatio, Translation, and Charles d’Orleans’ Paroled Poetics.” Exemplaria 8 (1996): 169-92.
 * Courthope, W.J. “Sir Thomas Wyatt: Originality of Thought: Imitation of Foreign Models of Expression.” 44-67 in A History of English Poetry. Vol. 2: The Renaissance and Reformation: Influence of the Court and of the Universities. London and New York: Macmillan, 1897.
 * Coverdale, Miles. Goastly Psalmes and Spiritual Songes. London: 1538.
 * Craigie, W.A., ed. The Maitland Quarto Manuscript. Scottish Text Society n.s. 9. Edinburgh: Scottish Text Society, 1920.
 * ---, ed. The Maitland Folio Manuscript. Scottish Text Society n.s. 7 (v.1), 20 (v.2). Edinburgh: Scottish Text Society, 1919, 1927.
 * Crum. Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Also Addenda.
 * Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Oxford: Clarendon, 1969. Also Addenda. Card Catalogue [Duke Humphrey, Bodleian, Oxford].
 * CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * Chronicles of White Rose of York: A Series of Historical Fragments, Proclamations, Letters and other Contemporary Documents Relating to the Reign of King Edward the Fourth. London: Bohn, 1900 [repr. 1983].
 * Cokayne, G. E., et al. The Complete Peerage. London: St. Catherine P, 1945.
 * Coldiron, A.E.B. “Translatio, Translation, and Charles d’Orleans’ Paroled Poetics.” Exemplaria 8 (1996): 169-92.
 * Courthope, W.J. “Sir Thomas Wyatt: Originality of Thought: Imitation of Foreign Models of Expression.” 44-67 in A History of English Poetry. Vol. 2: The Renaissance and Reformation: Influence of the Court and of the Universities. London and New York: Macmillan, 1897.
 * Coverdale, Miles. Goastly Psalmes and Spiritual Songes. London: 1538.
 * Craigie, W.A., ed. The Maitland Quarto Manuscript. Scottish Text Society n.s. 9. Edinburgh: Scottish Text Society, 1920.
 * ---, ed. The Maitland Folio Manuscript. Scottish Text Society n.s. 7 (v.1), 20 (v.2). Edinburgh: Scottish Text Society, 1919, 1927.
 * Crum. Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Also Addenda.
 * Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Oxford: Clarendon, 1969. Also Addenda. Card Catalogue [Duke Humphrey, Bodleian, Oxford].
 * CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * ---, ed. The Maitland Folio Manuscript. Scottish Text Society n.s. 7 (v.1), 20 (v.2). Edinburgh: Scottish Text Society, 1919, 1927.
 * Crum. Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Also Addenda.
 * Crum, Margaret. First-Line Index of Manuscript Poetry in the Bodleian Library. Oxford: Clarendon, 1969. Also Addenda. Card Catalogue [Duke Humphrey, Bodleian, Oxford].
 * CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * CSP Milan. Calendar of State Papers and Manuscripts Existing in the Archives and Collections of Milan.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * CSP Spain. Calendar of Letters, Despatches, and State Papers Relating to the Negociations Between English and Spain.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.
 * CSP Venice. Calendar of State Papers and Manuscripts, Relating to English Affairs, Existing in the Archives and Collections of Venice and in other Libraries of Northern Italy.

D

 * Davies. Davies, Reginald T., ed. Medieval English Lyrics.
 * Davies, Reginald T. Medieval English Lyrics. London: Faber and Faber, 1963.
 * D’Accone, Frank A. “Some Neglected Composers in the Florentine Chapels, ca. 1475-1525.” Viator 1 (1970): 263-88.
 * Dearmer. Dearmer, Percy, et al. Oxford Book of Carols.
 * Dearmer, Percy, et al. Oxford Book of Carols. Oxford: Oxford UP, 1938.
 * De Boom, Ghislaine. Margarite d’Autriche-Savoie et la Pre-Renaisance. Paris: Librarie E-Droz, 1935.
 * De Iongh, Jane. Margaret of Austria: Regent of the Netherlands. Trans. M. D. Herter Norton. London: Jonathan Cape, 1954.
 * De Marchi, Luigi. “L’Influenza della Lirica Italiana sulla Lirica Inglese nel Secolo XVI (Sir Tommaso Wyatt).” Nuovo Antologia [ser. 3] 50 (1895): 136-55.
 * Dixon, William H. A History of Two Queens. London: Hurst and Blackett, 1873.
 * Doelman, James. “The Accession of King James I and English Religious Poetry.” Studies in English Literature, 1500-1900 34.1 (1994): 19-40.
 * Doyle, James E. The Official Baronetage of England. London: Longmans, Green, and Co., 1886.
 * Droz, Eugénie, and Geneviève Thibault, eds. Poètes et Musiciens du XVe Siècle. Paris: Champion, 1924.
 * Dunbar, William. The Poems of William Dunbar. John Small, ed. London: William Blackwood and Sons, 1893.
 * Dunn, Leslie. “The Lyric: (ii) Poetry and Song.” 107-20 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
 * Du Saar, J. Het Leven en de Composities van Jacobus Barbireau. Utrecht: W. de Hann, 1946.
 * Dyboski. Dyboski, Roman, ed. Songs, Carols, and other Miscellaneous Poems.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.
 * Doelman, James. “The Accession of King James I and English Religious Poetry.” Studies in English Literature, 1500-1900 34.1 (1994): 19-40.
 * Doyle, James E. The Official Baronetage of England. London: Longmans, Green, and Co., 1886.
 * Droz, Eugénie, and Geneviève Thibault, eds. Poètes et Musiciens du XVe Siècle. Paris: Champion, 1924.
 * Dunbar, William. The Poems of William Dunbar. John Small, ed. London: William Blackwood and Sons, 1893.
 * Dunn, Leslie. “The Lyric: (ii) Poetry and Song.” 107-20 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
 * Du Saar, J. Het Leven en de Composities van Jacobus Barbireau. Utrecht: W. de Hann, 1946.
 * Dyboski. Dyboski, Roman, ed. Songs, Carols, and other Miscellaneous Poems.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.
 * Dunn, Leslie. “The Lyric: (ii) Poetry and Song.” 107-20 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
 * Du Saar, J. Het Leven en de Composities van Jacobus Barbireau. Utrecht: W. de Hann, 1946.
 * Dyboski. Dyboski, Roman, ed. Songs, Carols, and other Miscellaneous Poems.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.
 * Dyboski. Dyboski, Roman, ed. Songs, Carols, and other Miscellaneous Poems.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.
 * Dyboski, Roman. Songs, Carols, and other Miscellaneous Poems. [EETS 101.] London: Early English Text Society, 1907.

E

 * Edward VI. Chronicle and Political Papers. W.K. Jordan, ed. Ithaca: Cornell UP for Folger Shakespeare Lib., 1966.
 * ---. Literary Remains of Edward VI. John G. Nichols, ed. London: Roxeburghe Club, 1857.
 * Edwards, H.L.R. Skelton: The Life and Times of an Early Tudor Poet. London: Jonathan Cape, 1949.
 * Elizabeth I. Elizabeth I: Collected Works. Janel Mueller, Leah H Marcus, and Mary Beth Rose, eds. Chicago and London: U Chicago P, 2000.
 * ---. Elizabeth I: Autograph Compositions and Foreign Language Originals. Janel Mueller and Leah H Marcus, eds. Chicago and London: U Chicago P, 2003.
 * ---. The Glass of the Sinful Soul [1544]. Oxford, Bodleian Library Cherry MS 36. Ptd. A godly medytacyon of the christen sowle, concerninge a loue towardes God and hys Christe, compyled in frenche by lady Margarete quene of Nauerre, and aptely translated into Englysh by the ryght vertuouse lady Elyzabeth doughter to our late souerayne Kynge Henri the. viij. Wesel, Germany: Dirik van der Straten, 1548. MS. facs. 145-269, transcr. 111-44 in Marc Shell, ed. Elizabeth’s Glass. Lincoln, NB: U of Nebraska P, 1993.
 * —--. The Poems of Queen Elizabeth I. Leicester Bradner, ed. Providence, RI: Brown UP, 1964.
 * ---. Queen Elizabeth’s Englishings. [Early English Text Society o.s. 113.] Caroline Pemberton, ed. London: EETS, 1899.
 * Ellis, H. Original Letters Illustrative of English History. [Third Series.] London: Richard Bently, 1846.
 * Elton, G. R. England Under the Tudors. London: Routledge, 1974.
 * Elyot, Thomas. The Governour. London: Everyman’s Library, 1907.
 * Englands Helicon. London: I. R. for Iohn Flasket, 1600.
 * Erdman, David V. “The Signature of Style.” 45-68 in Erdman and Fogel.
 * Erdman, David V., and Ephim G. Fogel. Evidence for Authorship: Essays on Problems of Attribution. Ithaca, New York: Cornell UP, 1966.
 * Evans, Joan. English Art, 1307-1461. Oxford: Clarendon P, 1949.
 * Excerpta Historica. London: Samuel Bentley, 1831.
 * Ellis, H. Original Letters Illustrative of English History. [Third Series.] London: Richard Bently, 1846.
 * Elton, G. R. England Under the Tudors. London: Routledge, 1974.
 * Elyot, Thomas. The Governour. London: Everyman’s Library, 1907.
 * Englands Helicon. London: I. R. for Iohn Flasket, 1600.
 * Erdman, David V. “The Signature of Style.” 45-68 in Erdman and Fogel.
 * Erdman, David V., and Ephim G. Fogel. Evidence for Authorship: Essays on Problems of Attribution. Ithaca, New York: Cornell UP, 1966.
 * Evans, Joan. English Art, 1307-1461. Oxford: Clarendon P, 1949.
 * Excerpta Historica. London: Samuel Bentley, 1831.
 * Erdman, David V. “The Signature of Style.” 45-68 in Erdman and Fogel.
 * Erdman, David V., and Ephim G. Fogel. Evidence for Authorship: Essays on Problems of Attribution. Ithaca, New York: Cornell UP, 1966.
 * Evans, Joan. English Art, 1307-1461. Oxford: Clarendon P, 1949.
 * Excerpta Historica. London: Samuel Bentley, 1831.
 * Evans, Joan. English Art, 1307-1461. Oxford: Clarendon P, 1949.
 * Excerpta Historica. London: Samuel Bentley, 1831.
 * Excerpta Historica. London: Samuel Bentley, 1831.

F

 * von Fallersleben, Hoffmann. Antwerpener Liederbuch vom Jahre 1544 (Horae Belgicae [part] XI). Hanover, 1855. 222-224.
 * Fallows, David. “Henry VIII as Composer.” 27-39 in C. Banks, et al., eds. Sundry Sorts of Music Books: Essays in the British Library Collections Presented to O.W. Neighbour on his 70th Birthday. London: British Library, 1993.
 * ---. “The Drexel Fragments of Early Tudor Song.” Research Chronicle [Royal Musical Association] 26 (1993): 5-18.
 * ---. A Catalogue of Polyphonic Songs, 1415-1480. Oxford: Oxford UP, 1999.
 * Fano, Fabbio, ed. Heinrich Isaac: Messe. Archivium Musices Metropolitanum Mediolanese. 10 vols. Milan: Veneranda Fabbrica del Duomo, 1962.
 * Fellowes, E.H., ed. English Madrigal Verse, 1588-1632. Third edition. Oxford: Clarendon P, 1967.
 * Feylde, Thomas. Here begynneth a lytel treatyse called the cotrauerse bytwene a louer and a Iaye. London: Wynkyn de Worde, [1527].
 * Fletcher, John, and Francis Beaumont. Comedies and Tragedies Written by Francis Beaumont and Iohn Fletcher. London: [For] Humphrey Robinson, et al., 1647.
 * Fletcher, John. The Humorous Lieutenant. In Fletcher, John, and Francis Beaumont. Comedies and Tragedies Written by Francis Beaumont and Iohn Fletcher.
 * Flügel Anglia. Flügel, Ewald. “Liedersammlungen des XVI. Jahrhunderts, Besonders aus der Zeit Heinrich’s VIII.”
 * Flügel Neuengl. Flügel, Ewald. Neuenglisches Lesebuch.
 * Flügel, Ewald. “Liedersammlungen des XVI. Jahrhunderts, Besonders aus der Zeit Heinrich’s VIII.” Anglia 12 (1889): 225-72.
 * ---. Neuenglisches Lesebuch. Halle: Max Niemeyer, 1895.
 * ---. “Die Proverbes von Lekenfield und Wresil.” Anglia 14 [1891-2]: 471-97.
 * Flügel, J.C. “On the Character and Married Life of Henry VIII.” 124-49 in Bruce Mazlish, ed. Psychoanalysis and History. Englewood Cliffs, NJ: Prentice Hall, 1963.
 * Fox, Alistair. Politics and Literature in the Reigns of Henry VII and Henry VIII. Oxford: Basil Blackwell, 1989.
 * Fox, Charles Warren. “Barbireau and Barbingant: A Review.” The Journal of the American Musicological Society 13 (1960): 79-101.
 * Foxwell. Wyatt, Thomas. The Poems of Sir Thomas Wiat. (A.K. Foxwell, ed.).
 * Francon, Marcel, ed. Albums Poetiques de Margeurite d’Autriche. Cambridge, MA: Harvard UP, 1934.
 * Fraser, Antonia. The Six Wives of Henry VIII. London: Weidenfeld & Nicolson, 1992.
 * Friedman, Paul. Anne Boleyn. London: MacMillan, 1884.
 * Furnivall. Laneham, Robert. Captain Cox. (F. J. Furnivall, ed.).
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.
 * ---. Neuenglisches Lesebuch. Halle: Max Niemeyer, 1895.
 * ---. “Die Proverbes von Lekenfield und Wresil.” Anglia 14 [1891-2]: 471-97.
 * Flügel, J.C. “On the Character and Married Life of Henry VIII.” 124-49 in Bruce Mazlish, ed. Psychoanalysis and History. Englewood Cliffs, NJ: Prentice Hall, 1963.
 * Fox, Alistair. Politics and Literature in the Reigns of Henry VII and Henry VIII. Oxford: Basil Blackwell, 1989.
 * Fox, Charles Warren. “Barbireau and Barbingant: A Review.” The Journal of the American Musicological Society 13 (1960): 79-101.
 * Foxwell. Wyatt, Thomas. The Poems of Sir Thomas Wiat. (A.K. Foxwell, ed.).
 * Francon, Marcel, ed. Albums Poetiques de Margeurite d’Autriche. Cambridge, MA: Harvard UP, 1934.
 * Fraser, Antonia. The Six Wives of Henry VIII. London: Weidenfeld & Nicolson, 1992.
 * Friedman, Paul. Anne Boleyn. London: MacMillan, 1884.
 * Furnivall. Laneham, Robert. Captain Cox. (F. J. Furnivall, ed.).
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.
 * Foxwell. Wyatt, Thomas. The Poems of Sir Thomas Wiat. (A.K. Foxwell, ed.).
 * Francon, Marcel, ed. Albums Poetiques de Margeurite d’Autriche. Cambridge, MA: Harvard UP, 1934.
 * Fraser, Antonia. The Six Wives of Henry VIII. London: Weidenfeld & Nicolson, 1992.
 * Friedman, Paul. Anne Boleyn. London: MacMillan, 1884.
 * Furnivall. Laneham, Robert. Captain Cox. (F. J. Furnivall, ed.).
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.
 * Friedman, Paul. Anne Boleyn. London: MacMillan, 1884.
 * Furnivall. Laneham, Robert. Captain Cox. (F. J. Furnivall, ed.).
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.
 * Furnivall, F. J. Captain Cox, his Ballads and Books. London: Ballad Society, 1871.

G

 * Geering, Arnold, ed. Das Liederbuch des Johannes Heer von Glarus. Schweizerische Musikdenkmäler V. Basel: Renate Lickteig, 1967.
 * Geneti, Elziarii (Carpentras). Opera Omnia. Albertus Seay, ed. [N.p.]: American Institute of Musicology, 1972-3.
 * George, Margaret. The Autobiography of Henry VIII. London: Macmillan, 1986.
 * Gérold, Théodore. Le Manuscrit de Bayeaux. Stasbourg: Commission des Publications de la Faculté des Lettres, 1921.
 * Gibbon, J.M. Melody and the Lyric from Chaucer to the Cavaliers. London: J.M Dent, 1930.
 * Girvan, R., ed. The Consail and Teiching at the Vys Man Gaif his Sone. 66-79 in R. Girvan, ed. Ratis Raving and Other Early Scots Poems on Morals. Edinburgh: Scottish Text Society, 1939.
 * Goldberg, Jonathan. “The Poet’s Authority: Spenser, Jonson, and James VI and I.” Genre 15.2-3 (1982): 81-99.
 * Gombosi, Otto. Jacob Obrecht: Eine Stilkritische Studie. Leipzig: Breitkopf & Hartel, 1925.
 * ---. “Blame not Wyatt.” Renaissance News 8.1 (1955): 12-14.
 * Gooch, Bryan N.S., and David Thatcher, eds. A Shakespeare Music Catalogue. 5 vols. Oxford: Clarendon P, 1991.
 * Goodwyn, Christopher. Here begynneth a lytell prosses or matter called the chaunce of the dolorous louer. [London]: [Wynkyn de Worde], 1520.
 * Gratton Flood, W.H. Early Tudor Composers. London: Oxford UP, 1925.
 * Green, Richard F. Poets and Princepleasers: Literature and the English Court in the Late Middle Ages. Toronto: U of Toronto P, 1980.
 * Greenblatt, Stephen. Renaissance Self-Fashioning from More to Shakespeare. Chicago: U of Chicago P, 1980.
 * Greene. Greene, Richard L. The Early English Carols.
 * Greene, Richard L. The Early English Carols. Oxford: Clarendon P, 1935.
 * ---. “Wyatt’s ‘I am as I am’ in Carol-Form.” Review of English Studies 15 (1964): 175-80.
 * ---. “A Carol of Anne Boleyn By Wyatt.” Review of English Studies 25 (1974): 438.
 * Greetham, D.C. Textual Scholarship: An Introduction. New York and London: Garland P, 1994.
 * ---. “Textual Forensics.” Publications of the Modern Language Association 111 (1996): 32-51.
 * Gunn, S.J. Charles Brandon, Duke of Suffolk. New York: Blackwell, 1988.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.
 * Gratton Flood, W.H. Early Tudor Composers. London: Oxford UP, 1925.
 * Green, Richard F. Poets and Princepleasers: Literature and the English Court in the Late Middle Ages. Toronto: U of Toronto P, 1980.
 * Greenblatt, Stephen. Renaissance Self-Fashioning from More to Shakespeare. Chicago: U of Chicago P, 1980.
 * Greene. Greene, Richard L. The Early English Carols.
 * Greene, Richard L. The Early English Carols. Oxford: Clarendon P, 1935.
 * ---. “Wyatt’s ‘I am as I am’ in Carol-Form.” Review of English Studies 15 (1964): 175-80.
 * ---. “A Carol of Anne Boleyn By Wyatt.” Review of English Studies 25 (1974): 438.
 * Greetham, D.C. Textual Scholarship: An Introduction. New York and London: Garland P, 1994.
 * ---. “Textual Forensics.” Publications of the Modern Language Association 111 (1996): 32-51.
 * Gunn, S.J. Charles Brandon, Duke of Suffolk. New York: Blackwell, 1988.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.
 * ---. “A Carol of Anne Boleyn By Wyatt.” Review of English Studies 25 (1974): 438.
 * Greetham, D.C. Textual Scholarship: An Introduction. New York and London: Garland P, 1994.
 * ---. “Textual Forensics.” Publications of the Modern Language Association 111 (1996): 32-51.
 * Gunn, S.J. Charles Brandon, Duke of Suffolk. New York: Blackwell, 1988.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.
 * ---. “Textual Forensics.” Publications of the Modern Language Association 111 (1996): 32-51.
 * Gunn, S.J. Charles Brandon, Duke of Suffolk. New York: Blackwell, 1988.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.
 * ---. The Life and Career of Charles Brandon, Duke of Suffolk, c. 1484-1545. Thesis (D.Phil.), U of Oxford, 1986.

H

 * Hadow, W.H., ed. The Oxford History of Music. Oxford: Clarendon P, 1905.
 * Hall, Edward. Hall’s Chronicle. London: J. Johnson, et al., 1809.
 * Hamm, Charles, gen. ed. Census-Catalogue of Manuscript Sources of Polyphonic Music, 1400 - 1550. Neuhausen-Stuttgart: Hänssler-Verlag [American Institute of Musicology], 1979-.
 * Harrington, John. “Letter from Sir John Haryngton, to Prince Henry, 1609.” 2.246-9 in Henry Harrington, ed. Nugæ Antiquæ: Being a Miscellaneous Collection of Original Papers in Prose and Verse. 2 vols. London: W. Frederick, 1775.
 * Harrison, F. Ll. Music in Medieval Britain. London: Routledge and Paul, 1958.
 * Harvey, Gabriel. Pierces Supererogation or A New Prayse of the Old Asse [1593]. Vol. 2 of A.B. Grosart, ed. The Complete Works of Gabriel Harvey. New York: AMS P, 1966.
 * Haslewood, Rev. Francis. The Parish of Benenden, Kent: Its Monuments, Vicars, and Persons of Note. Ipswitch: [Privately Printed], 1889.
 * Hathaway, Michael. “Marginalia of Henry VIII in his copy of the Bokes of Salomon.” Transactions of the Cambridge Bibliographical Society 4 (1965): 166-70.
 * Hawes, Stephen. The comforte of louers. London: Wynkyn de Worde, [1512].
 * Hawes, Stephen. The Pastime of Pleasure. William Edward Mead, ed. London: Oxford UP [for EETS], 1928 [for 1927].
 * Hawkins, Sir John. A General History of the Science and Practice of Music. 5 vols. London: 1776. Repr. New York: Dover P, 1963.
 * Hazlitt, W.C., and R. Dodsley, eds. A Select Collection of Old Plays. 4th ed.; 15 vols. London: 1874-6.
 * Heale, Elizabeth. “Women and the Courtly Love Lyric: The Devonshire MS (BL Additional MS 17492).” Modern Language Review 90 (1995): 296-313.
 * Hearne. Hearne, Thomas, ed. Joannis Rossi Antiquarii Warwicensis Historia Regum Angliae.
 * Hearne, Thomas, ed. Joannis Rossi Antiquarii Warwicensis Historia Regum Angliae. Oxford: [at the Sheldonian], 1716.
 * Hebel. Hebel, J. William, et al. Tudor Poetry and Prose.
 * Hebel and Hudson. Hebel, J. William, and H.H. Hudson. Poetry of the English Renaissance.
 * Hebel, J. William, and H.H. Hudson. Poetry of the English Renaissance. New York: Appleton Century Crofts, 1929 [repr. 1957].
 * ---, et al. Tudor Poetry and Prose. New York: Appleton Century Crofts, 1953.
 * Helms, Dietrich. Heinrich VIII und die Musik: Uberlieferung, musikalische Bildung des Adels und Kompositionstechniken eines Konigs. Eisenach: Wagner, 1998.
 * ---. "Henry VIII's Book: Teaching Music to Royal Children."Â Forthcoming in Musical Quarterly.
 * ---. "Guilielmus Monachus and Henry VIII: Formulaic Compositional Techniques around 1500," Tijtschrift voor Muziektheorie 4.1 (1999): 15-23.
 * ---.Â "Heinrich VIII." In Ludwig Finscher, ed. Die Musik in Geschichte und Gegenwart, Personalteil. (Kassel and Stuttgart:Â  Barenreiter and Metzler, 2002).Â  Vol. 8, col. 1209.
 * Henry VIII [attrib.]. A Glasse of the Truthe. [London]: Thomas Berthelet, [ca. 1532].
 * ---. Assertio Septem sacramentorum aduersus M. Lutherum. London: Richard Pynson, 1521.
 * --- [attrib.]. “Blush not fayer nimphe.” [On recto of the binding page, prior to the title page] In Sudeley Castle (Gloucestershire), Catherine Parr’s Book of Prayers.
 * ---. [”Foreword”]. The Primer . . . Set Foorth by the Kynges Maiestie and his Clergie to be Taught Learned, and Read. London: Richard Grafton, 1545.
 * ---. Love-letters from King Henry VIII. to Anne Boleyn. Thomas Hearne, ed. London: J. Churchill, 1714.
 * ---. [”Lyrics”]. [Collected in] British Library Additional MS 31,922 (The Henry VIII MS).
 * ---. [”Preface”]. A Necessary Doctrine and Erudicion for any Chrysten Man. London: Thomas Berthelet, 1543.
 * --- [attrib.]. “The eagles force subdues each bird that flyes.” 2.248 in Henry Harrington, ed. Nugæ Antiquæ: Being a Miscellaneous Collection of Original Papers in Prose and Verse. 2 vols. London: W. Frederick, 1775.
 * ---. “Quam pulchra es.” Fol. 166v in British Library Royal MS 24.d.2 (Baldwin’s MS).
 * “Henry VIII.” Biography. [Video.] New York: Arts and Entertainment Network, 1996.
 * Henryson, Robert. The Poems and Fables of Robert Henryson. Second ed. H.H. Wood, ed. Edinburgh: Oliver and Boyd, 1958.
 * Herman, Peter C, ed. Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. Tempe: Medieval and Renaissance Texts and Studies, 2002.
 * ---. “Henry VIII of England.” Vol. 132, 172-184 in The Dictionary of Literary Bibliography. Detroit: Gale, 1993.
 * ---. “Henry VIII and the Poetry of Politics.” Paper presented at the Modern Language Association conference, Chicago, December 1995.
 * Hewitt, Helen, ed. Harmonice Musices Odhecaton A. Cambridge, MA: Harvard UP, 1942.
 * Heywood, John. A dialogue conteynyng the number of the effectual proverbes in the Englishe tounge. 18-101 in Heywood, John. Works.
 * ---. A mery play betwene Iohan Iohan the husbande Tyb his wife & syr Ihan the preest. London: Wyllyam Rastell, 1533.
 * ---. Ballads and Songs. 250-74 in Heywood, John. Works.
 * ---. The play of the wether: A new and a very mery enterlude of all maner wethers. London: W. Rastell, 1533.
 * ---. The playe called the foure PP. A newe and a very mery enterlude of A palmer. A pardoner. A potycary. A pedler. London: Wyllyam Myddylton, [1543].
 * ---. Works (1562) and Miscellaneous Short Poems. Burton A. Milligan, ed. Chicago: U of Illinois P, 1956.
 * Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700. Princeton: Princeton UP, 1961.
 * Hooker, J.R. The Public Life of Sir Richard Guildford: A Biographical Approach to Early Tudor Government. Ph.D. Dissertation: Dept. of History, Michigan State U, 1957.
 * Horstmann, Carl, ed. Yorkshire Writers: Richard Rolle of Hampole and his Followers. Woodbridge, Suffolk: D.S. Brewer [repr. of 1895-6 ed.].
 * Hughes, Andrew and Margaret Bent, eds. The Old Hall Manuscript. CMM 46. Chicago: American Institute of Musicology, 1969-73.
 * Hughes-Hughes, Augustus. Catalogue of the Manuscript Music in the British Museum. London: Trustees of the British Museum, 1908 [repr. 1966].
 * Hughey, Ruth. The Arundel Harrington Manuscript of Early Tudor Poetry. Columbus: Ohio State UP, 1960.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * ---. [”Foreword”]. The Primer . . . Set Foorth by the Kynges Maiestie and his Clergie to be Taught Learned, and Read. London: Richard Grafton, 1545.
 * ---. Love-letters from King Henry VIII. to Anne Boleyn. Thomas Hearne, ed. London: J. Churchill, 1714.
 * ---. [”Lyrics”]. [Collected in] British Library Additional MS 31,922 (The Henry VIII MS).
 * ---. [”Preface”]. A Necessary Doctrine and Erudicion for any Chrysten Man. London: Thomas Berthelet, 1543.
 * --- [attrib.]. “The eagles force subdues each bird that flyes.” 2.248 in Henry Harrington, ed. Nugæ Antiquæ: Being a Miscellaneous Collection of Original Papers in Prose and Verse. 2 vols. London: W. Frederick, 1775.
 * ---. “Quam pulchra es.” Fol. 166v in British Library Royal MS 24.d.2 (Baldwin’s MS).
 * “Henry VIII.” Biography. [Video.] New York: Arts and Entertainment Network, 1996.
 * Henryson, Robert. The Poems and Fables of Robert Henryson. Second ed. H.H. Wood, ed. Edinburgh: Oliver and Boyd, 1958.
 * Herman, Peter C, ed. Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. Tempe: Medieval and Renaissance Texts and Studies, 2002.
 * ---. “Henry VIII of England.” Vol. 132, 172-184 in The Dictionary of Literary Bibliography. Detroit: Gale, 1993.
 * ---. “Henry VIII and the Poetry of Politics.” Paper presented at the Modern Language Association conference, Chicago, December 1995.
 * Hewitt, Helen, ed. Harmonice Musices Odhecaton A. Cambridge, MA: Harvard UP, 1942.
 * Heywood, John. A dialogue conteynyng the number of the effectual proverbes in the Englishe tounge. 18-101 in Heywood, John. Works.
 * ---. A mery play betwene Iohan Iohan the husbande Tyb his wife & syr Ihan the preest. London: Wyllyam Rastell, 1533.
 * ---. Ballads and Songs. 250-74 in Heywood, John. Works.
 * ---. The play of the wether: A new and a very mery enterlude of all maner wethers. London: W. Rastell, 1533.
 * ---. The playe called the foure PP. A newe and a very mery enterlude of A palmer. A pardoner. A potycary. A pedler. London: Wyllyam Myddylton, [1543].
 * ---. Works (1562) and Miscellaneous Short Poems. Burton A. Milligan, ed. Chicago: U of Illinois P, 1956.
 * Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700. Princeton: Princeton UP, 1961.
 * Hooker, J.R. The Public Life of Sir Richard Guildford: A Biographical Approach to Early Tudor Government. Ph.D. Dissertation: Dept. of History, Michigan State U, 1957.
 * Horstmann, Carl, ed. Yorkshire Writers: Richard Rolle of Hampole and his Followers. Woodbridge, Suffolk: D.S. Brewer [repr. of 1895-6 ed.].
 * Hughes, Andrew and Margaret Bent, eds. The Old Hall Manuscript. CMM 46. Chicago: American Institute of Musicology, 1969-73.
 * Hughes-Hughes, Augustus. Catalogue of the Manuscript Music in the British Museum. London: Trustees of the British Museum, 1908 [repr. 1966].
 * Hughey, Ruth. The Arundel Harrington Manuscript of Early Tudor Poetry. Columbus: Ohio State UP, 1960.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * ---. A mery play betwene Iohan Iohan the husbande Tyb his wife & syr Ihan the preest. London: Wyllyam Rastell, 1533.
 * ---. Ballads and Songs. 250-74 in Heywood, John. Works.
 * ---. The play of the wether: A new and a very mery enterlude of all maner wethers. London: W. Rastell, 1533.
 * ---. The playe called the foure PP. A newe and a very mery enterlude of A palmer. A pardoner. A potycary. A pedler. London: Wyllyam Myddylton, [1543].
 * ---. Works (1562) and Miscellaneous Short Poems. Burton A. Milligan, ed. Chicago: U of Illinois P, 1956.
 * Hollander, John. The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700. Princeton: Princeton UP, 1961.
 * Hooker, J.R. The Public Life of Sir Richard Guildford: A Biographical Approach to Early Tudor Government. Ph.D. Dissertation: Dept. of History, Michigan State U, 1957.
 * Horstmann, Carl, ed. Yorkshire Writers: Richard Rolle of Hampole and his Followers. Woodbridge, Suffolk: D.S. Brewer [repr. of 1895-6 ed.].
 * Hughes, Andrew and Margaret Bent, eds. The Old Hall Manuscript. CMM 46. Chicago: American Institute of Musicology, 1969-73.
 * Hughes-Hughes, Augustus. Catalogue of the Manuscript Music in the British Museum. London: Trustees of the British Museum, 1908 [repr. 1966].
 * Hughey, Ruth. The Arundel Harrington Manuscript of Early Tudor Poetry. Columbus: Ohio State UP, 1960.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * Horstmann, Carl, ed. Yorkshire Writers: Richard Rolle of Hampole and his Followers. Woodbridge, Suffolk: D.S. Brewer [repr. of 1895-6 ed.].
 * Hughes, Andrew and Margaret Bent, eds. The Old Hall Manuscript. CMM 46. Chicago: American Institute of Musicology, 1969-73.
 * Hughes-Hughes, Augustus. Catalogue of the Manuscript Music in the British Museum. London: Trustees of the British Museum, 1908 [repr. 1966].
 * Hughey, Ruth. The Arundel Harrington Manuscript of Early Tudor Poetry. Columbus: Ohio State UP, 1960.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * Hughey, Ruth. The Arundel Harrington Manuscript of Early Tudor Poetry. Columbus: Ohio State UP, 1960.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * Huot, Sylvia. From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry. Ithaca and London: Cornell UP, 1987.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.
 * Hurt, Nicholas, and Julian Comrie. Sudeley Castle and Gardens. Wimborne, Dorset: Dovecote P, 1994.

I

 * Ives, E.W. Anne Boleyn. Oxford: Basil Blackwell, 1986.

J

 * J., W.H. “Henry VIII: Verses.” Notes and Queries 165 (1933): 299.
 * James, John, and Robert Wedderburn. A Compendious Book of Godly and Spiritual Songs commonly known as The Gude and Godlie Ballatis. A.F. Mitchell, ed. Edinburgh and London: William Blackwell [for the Scottish Text Society], 1897.
 * James, Montague R. A Descriptive Catalogue of the Manuscripts in the Library of Peterhouse. Cambridge: Cambridge UP, 1899.
 * Jeppesen, Knud. The Copenhagen Chansonnier: The Thott 2918 Manuscript in the Royal Library of Copenhagen. New York: Broude Brothers, 1965.
 * Jones. Jones, Emrys, ed. The New Oxford Book of Sixteenth Century Verse.
 * Jones, Emrys, ed. The New Oxford Book of Sixteenth Century Verse. Oxford: Oxford UP, 1991.
 * Joyce, James. Letters of James Joyce. Richard Ellmann and Stuart Gilbert, eds. New York: Viking P, 1957.
 * Jungman, Robert E. “‘Pastime with Good Company’ by Henry VIII.” Notes and Queries 26.5 (October, 1979): 397-9.
 * Jones. Jones, Emrys, ed. The New Oxford Book of Sixteenth Century Verse.
 * Jones, Emrys, ed. The New Oxford Book of Sixteenth Century Verse. Oxford: Oxford UP, 1991.
 * Joyce, James. Letters of James Joyce. Richard Ellmann and Stuart Gilbert, eds. New York: Viking P, 1957.
 * Jungman, Robert E. “‘Pastime with Good Company’ by Henry VIII.” Notes and Queries 26.5 (October, 1979): 397-9.
 * Joyce, James. Letters of James Joyce. Richard Ellmann and Stuart Gilbert, eds. New York: Viking P, 1957.
 * Jungman, Robert E. “‘Pastime with Good Company’ by Henry VIII.” Notes and Queries 26.5 (October, 1979): 397-9.
 * Jungman, Robert E. “‘Pastime with Good Company’ by Henry VIII.” Notes and Queries 26.5 (October, 1979): 397-9.

K

 * Keahey, T. Herman, and Conrad Douglas, eds. Prioris, Johannis: Opera Omnia. Stuttgart: American Institute of Musicology, 1985.
 * Richard Kele, comp. Christmas carolles newely inprynted. London: Robert Copland, [1545].
 * Kendrick, A. F. Catalog of Tapestries. London: His Majesty’s Stationery Office, 1914.
 * King, John N. “Patronage and Piety: The Influence of Catherine Parr.” 43-60 in Margaret Patterson Hannay, ed. Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent : Kent State UP, 1985.
 * Kinney, Arthur F. John Skelton, Priest as Poet: Seasons of Discovery. Chapel Hill, NC: U of North Carolina P, 1987.
 * Kinsman, Robert, and T. Yonge. John Skelton: Canon and Census. Bibliography and Index Series 4. New York: Renaissance Society of America, 1967.
 * Kipling, Gordon. The Triumph of Honour: Burgundian Origins of the Elizabethan Renaissance, Publications of the Sir Thomas Browne Institute, General Series 6. The Hague: Leiden UP for the Sir Thomas Browne Institute, 1977.
 * ---. “Henry VII and the Origins of Tudor Patronage.” 117-164 in Lytle, Guy Fitch (ed.); Orgel, Stephen (ed. & pref.). Patronage in the Renaissance. Princeton : Princeton UP, 1981.
 * ---. “The Queen of May’s Joust at Kennington and the Justes of the Moneths of May and June.” Notes and Queries [n.s.] 31 (1984): 158-62.
 * Kinsman, Robert, and T. Yonge. John Skelton: Canon and Census. Bibliography and Index Series 4. New York: Renaissance Society of America, 1967.
 * Kipling, Gordon. The Triumph of Honour: Burgundian Origins of the Elizabethan Renaissance, Publications of the Sir Thomas Browne Institute, General Series 6. The Hague: Leiden UP for the Sir Thomas Browne Institute, 1977.
 * ---. “Henry VII and the Origins of Tudor Patronage.” 117-164 in Lytle, Guy Fitch (ed.); Orgel, Stephen (ed. & pref.). Patronage in the Renaissance. Princeton : Princeton UP, 1981.
 * ---. “The Queen of May’s Joust at Kennington and the Justes of the Moneths of May and June.” Notes and Queries [n.s.] 31 (1984): 158-62.
 * ---. “Henry VII and the Origins of Tudor Patronage.” 117-164 in Lytle, Guy Fitch (ed.); Orgel, Stephen (ed. & pref.). Patronage in the Renaissance. Princeton : Princeton UP, 1981.
 * ---. “The Queen of May’s Joust at Kennington and the Justes of the Moneths of May and June.” Notes and Queries [n.s.] 31 (1984): 158-62.
 * ---. “The Queen of May’s Joust at Kennington and the Justes of the Moneths of May and June.” Notes and Queries [n.s.] 31 (1984): 158-62.
 * ---. “The Queen of May’s Joust at Kennington and the Justes of the Moneths of May and June.” Notes and Queries [n.s.] 31 (1984): 158-62.

L

 * de Lafontaine, Henry C., ed. The King’s Musick: A Transcript of Records Relating to Music and Musicians (1460-1700). London: Novello, 1909.
 * Lancashire, Ian. Dramatic Texts and Records of Britain: A Chronological Topography to 1558. Toronto: U of Toronto P, 1984.
 * ---, ed. Two Tudor Interludes: The Interludes of Youth and Hick Scorner. The Revels Plays. Manchester: Manchester UP, 1980.
 * ---. “Sexual Innuendo in the Reeve’s Tale.” Chaucer Review 6 (1971/2): 159-70.
 * Langland, William. The Vision of William concerning Piers Plowman. Walter W. Skeat, ed. [Early English Text Society.] London: N. Trübner & Co. [for EETS], 1867.
 * Latimer, Hugh. Selected Sermons of Hugh Latimer. Allan G. Chester, ed. Charlottesville: UP of Virginia, 1968.
 * Lenaerts, R. Het Netherlands Polifonies Lied in de Zestiende Eeuw. Mechelen: Het Kompas 1933.
 * Lerner, Edward, ed. Alexandri Agricola: Opera Omnia. Neuhausen: American Institute of Musicology, 1966.
 * ---. Henrici Isaac: Opera Omnia. Neuhausen: American Institute of Musicology, 1974-.
 * L&P Henry VIII. Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII.
 * Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII. J.S. Brewer, ed. London: Longman, Green, Longman, & Roberts, 1862.
 * Letters and Papers Illustrative of the Reigns of Richard III and Henry VII. Ed. James Gairdner. London: Longman, Green, Longman, and Roberts, 1861.
 * Lewis, C.S. English Literature in the Sixteenth Century, Excluding Drama. Oxford: Clarendon P, 1954.
 * Lindsay, Philip. Here Comes the King. London: I. Nicholson & Watson, 1933.
 * Long, John H. “Blame Not Wyatt’s Lute.” Renaissance News 7.4 (1954): 127-30.
 * Lopelman, Martin, ed. Die Liederhandscrift des Cardinals de Rohan. [Gesellschaft fur Romanische Literatur XLIV.] Gottingen: Gedrukt fur die Gesellschaft Romanische Literatur, 1923.
 * Lydgate, John. Fall of Princes. [EETS ES 121-4.] Henry Bergen, ed. London: Early English Text Society, 1924-7.
 * ---. Minor Poems. [Early English Text Society.] 2 vols. Otto Glauning, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1900.
 * ---. [Minor poems, in] The Complete Works of Geoffrey Chaucer. Vol. 7 of The Complete Works of Geoffrey Chaucer. Walter W. Skeat, ed. Oxford: Clarendon P, 1894-1897.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.
 * Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII. J.S. Brewer, ed. London: Longman, Green, Longman, & Roberts, 1862.
 * Letters and Papers Illustrative of the Reigns of Richard III and Henry VII. Ed. James Gairdner. London: Longman, Green, Longman, and Roberts, 1861.
 * Lewis, C.S. English Literature in the Sixteenth Century, Excluding Drama. Oxford: Clarendon P, 1954.
 * Lindsay, Philip. Here Comes the King. London: I. Nicholson & Watson, 1933.
 * Long, John H. “Blame Not Wyatt’s Lute.” Renaissance News 7.4 (1954): 127-30.
 * Lopelman, Martin, ed. Die Liederhandscrift des Cardinals de Rohan. [Gesellschaft fur Romanische Literatur XLIV.] Gottingen: Gedrukt fur die Gesellschaft Romanische Literatur, 1923.
 * Lydgate, John. Fall of Princes. [EETS ES 121-4.] Henry Bergen, ed. London: Early English Text Society, 1924-7.
 * ---. Minor Poems. [Early English Text Society.] 2 vols. Otto Glauning, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1900.
 * ---. [Minor poems, in] The Complete Works of Geoffrey Chaucer. Vol. 7 of The Complete Works of Geoffrey Chaucer. Walter W. Skeat, ed. Oxford: Clarendon P, 1894-1897.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.
 * Lopelman, Martin, ed. Die Liederhandscrift des Cardinals de Rohan. [Gesellschaft fur Romanische Literatur XLIV.] Gottingen: Gedrukt fur die Gesellschaft Romanische Literatur, 1923.
 * Lydgate, John. Fall of Princes. [EETS ES 121-4.] Henry Bergen, ed. London: Early English Text Society, 1924-7.
 * ---. Minor Poems. [Early English Text Society.] 2 vols. Otto Glauning, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1900.
 * ---. [Minor poems, in] The Complete Works of Geoffrey Chaucer. Vol. 7 of The Complete Works of Geoffrey Chaucer. Walter W. Skeat, ed. Oxford: Clarendon P, 1894-1897.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.
 * ---. [Minor poems, in] The Complete Works of Geoffrey Chaucer. Vol. 7 of The Complete Works of Geoffrey Chaucer. Walter W. Skeat, ed. Oxford: Clarendon P, 1894-1897.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.
 * ---. Reson and Sensuallyte. [Early English Text Society.] Ernst Sieper, ed. London: Kegan Paul, Trench, Trübner & Co. [for EETS], 1901.

M

 * MacCulloch, Diarmaid. The Reign of Henry VIII: Politics, Policy, and Piety. London: Macmillan, 1995.
 * MacNamara. MacNamara, Francis, ed. Miscellaneous Writings of Henry VIII.
 * MacNamara, Francis, ed. Miscellaneous Writings of Henry VIII. London: Golden Cockerel P, 1929.
 * Macray, Gulielmus D. Catalogi Codicum Manuscriptorum Bibliothecae Bodleianae . . . Ricardi Rawlinson. Oxford: Oxford UP, 1878.
 * Madan, Falconer. A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford [Which Have Not Hitherto Been Catalogued in the Quarto Series]. Oxford: Clarendon P, 1905.
 * Mandeville, John. The Buke of John Maundeuill from the . . . Egerton MS. 1982 in the British Museum. [Roxburghe Club 119.] George F. Warner, ed. London: Roxburghe Club, 1889.
 * Marillier, H. C. The Tapestries at Hampton Court Palace. London: His Majesty’s Stationery Office, 1951.
 * Marotti, Arthur F. Manuscript, Print, and the English Renaissance Lyric. Ithaca and London: Cornell UP, 1995.
 * Mathew, Gervase. The Court of Richard II. New York: Norton, 1968.
 * May, Steven W., and William A. Ringler, Jr. Elizabethan Poetry: A Bibliography and First-line Index of English Verse, 1559-1603. 3 Vols. London and New York: Thoemmes Continuum, 2004.
 * ---, and Anne L. Prescott. “The French Verses of Elizabeth I.” English Literary Renaissance 24.1 (1994): 9-43.
 * Maynard, Winnifred. “The Lyrics of Wyatt: Poems or Songs.” Review of English Studies 16 (1965): 1-13, 245-57.
 * Mazzaro, Jerome. Transformations in the Renaissance English Lyric. Ithaca: Cornell UP, 1970.
 * McFarlane, K. B. The Nobility of Late Medieval England. Oxford: Clarendon P, 1973.
 * McClure, J. Derrick. “‘O Phoenix Escossois’: James VI as Poet.” 96-111 in Alisoun Gardner Medwin and Janet Hadley Williams, ed. A Day Estivall: Essays on the Music, Poetry, and History of Scotland and England and Poems Previously Unpublished. Aberdeen: Aberdeen UP, 1990.
 * McConica, J.K. English Humanists and Reformation Politics Under Henry VIII and Edward VI. Oxford: Clarendon P, 1965.
 * McElroy, Mary Maurine Davenport. Literary Patronage of Margaret Beaufort and Henry VII: A Study of Renaissance Propaganda (1483-1509). Dissertation Abstracts 25 (1965): 4127.
 * McGann, Jerome J., ed. Textual Criticism and Literary Interpretation. Chicago: U of Chicago P, 1985.
 * MED. Middle English Dictionary.
 * Medwall, Henry. The Plays of Henry Medwall. Alan H. Nelson, ed. Cambridge: D. S. Brewer, 1980.
 * Meier, Bernhard, ed. Jacobi Barbireau: Opera Omnia. Amsterdam: American Institute of Musicology, 1954-.
 * Metcalfe, W.M., ed. Legends of the Saints in the Scottish Dialect. 3 vols. Edinburgh: Scottish Text Society, 1888-96.
 * Middle English Dictionary. Hans Kurath, ed. Ann Arbor, MI: The U of Michigan P, 1959-.
 * Miles, Rosalind. I Elizabeth: The Word of a Queen. London: Sidgwick and Jackson, 1993.
 * Minnis, A.J. Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages. London: Scolar P, 1984.
 * Minors, R.A.B. Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon P, 1963.
 * Morris, Christopher, comp. The Oxford Book of Tudor Anthems. Oxford: Oxford UP, 1978.
 * Mueller, Janel. “A Tudor Queen Finds Voice: Katherine Parr’s Lamentation of a Sinner.” 15-47 in Heather Dubrow and Richard Strier, eds. The Historical Renaissance: New Essays on Tudor and Stuart Literature and Culture. Chicago: U of Chicago P, 1988.
 * ---. “Devotion as Difference: Intertextuality in Queen Katherine Parr’s Prayers or Meditations (1545).” Huntington Library Quarterly 53:3 (1990): 171-197.
 * ---. “Textualism, Contextualism, and the Writings of Queen Elizabeth I.” 11-38 in David Robertson, ed. English Studies and History. [Tampere English Studies 4.] Tampere, Finland: U of Tampere, 1994.
 * Mumby, Frank A. The Youth of Henry VIII. London: Constable and Company, 1913.
 * Mumford, Ivy L. “Musical Settings to the Poems of Henry Howard, Earl of Surrey.” English Miscellany 7 (1952): 9-20.
 * ---. “Musical Settings to the Poems of Sir Thomas Wyatt.” Music and Letters 37 (1956): 315-22
 * ---. “Sir Thomas Wyatt’s Songs: A Trio of Problems in Manuscript Sources.“ Music and Letters 39 (1958): 262-4.
 * ---. “Sir Thomas Wyatt’s Verse and Italian Musical Sources.” English Miscellany 14 (1963): 9-26.
 * ---. “The Canzone in Sixteenth Century English Verse, with Particular reference to Wyatt’s Renderings from Petrarch’s Canzoniere.” English Miscellany 11 (1960): 21-32.
 * Murphy, Virginia. “The Literature and Propaganda of Henry VIII’s First Divorce.” 135-58 in Diarmaid MacCulloch, ed.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * Medwall, Henry. The Plays of Henry Medwall. Alan H. Nelson, ed. Cambridge: D. S. Brewer, 1980.
 * Meier, Bernhard, ed. Jacobi Barbireau: Opera Omnia. Amsterdam: American Institute of Musicology, 1954-.
 * Metcalfe, W.M., ed. Legends of the Saints in the Scottish Dialect. 3 vols. Edinburgh: Scottish Text Society, 1888-96.
 * Middle English Dictionary. Hans Kurath, ed. Ann Arbor, MI: The U of Michigan P, 1959-.
 * Miles, Rosalind. I Elizabeth: The Word of a Queen. London: Sidgwick and Jackson, 1993.
 * Minnis, A.J. Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages. London: Scolar P, 1984.
 * Minors, R.A.B. Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon P, 1963.
 * Morris, Christopher, comp. The Oxford Book of Tudor Anthems. Oxford: Oxford UP, 1978.
 * Mueller, Janel. “A Tudor Queen Finds Voice: Katherine Parr’s Lamentation of a Sinner.” 15-47 in Heather Dubrow and Richard Strier, eds. The Historical Renaissance: New Essays on Tudor and Stuart Literature and Culture. Chicago: U of Chicago P, 1988.
 * ---. “Devotion as Difference: Intertextuality in Queen Katherine Parr’s Prayers or Meditations (1545).” Huntington Library Quarterly 53:3 (1990): 171-197.
 * ---. “Textualism, Contextualism, and the Writings of Queen Elizabeth I.” 11-38 in David Robertson, ed. English Studies and History. [Tampere English Studies 4.] Tampere, Finland: U of Tampere, 1994.
 * Mumby, Frank A. The Youth of Henry VIII. London: Constable and Company, 1913.
 * Mumford, Ivy L. “Musical Settings to the Poems of Henry Howard, Earl of Surrey.” English Miscellany 7 (1952): 9-20.
 * ---. “Musical Settings to the Poems of Sir Thomas Wyatt.” Music and Letters 37 (1956): 315-22
 * ---. “Sir Thomas Wyatt’s Songs: A Trio of Problems in Manuscript Sources.“ Music and Letters 39 (1958): 262-4.
 * ---. “Sir Thomas Wyatt’s Verse and Italian Musical Sources.” English Miscellany 14 (1963): 9-26.
 * ---. “The Canzone in Sixteenth Century English Verse, with Particular reference to Wyatt’s Renderings from Petrarch’s Canzoniere.” English Miscellany 11 (1960): 21-32.
 * Murphy, Virginia. “The Literature and Propaganda of Henry VIII’s First Divorce.” 135-58 in Diarmaid MacCulloch, ed.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * ---. “Textualism, Contextualism, and the Writings of Queen Elizabeth I.” 11-38 in David Robertson, ed. English Studies and History. [Tampere English Studies 4.] Tampere, Finland: U of Tampere, 1994.
 * Mumby, Frank A. The Youth of Henry VIII. London: Constable and Company, 1913.
 * Mumford, Ivy L. “Musical Settings to the Poems of Henry Howard, Earl of Surrey.” English Miscellany 7 (1952): 9-20.
 * ---. “Musical Settings to the Poems of Sir Thomas Wyatt.” Music and Letters 37 (1956): 315-22
 * ---. “Sir Thomas Wyatt’s Songs: A Trio of Problems in Manuscript Sources.“ Music and Letters 39 (1958): 262-4.
 * ---. “Sir Thomas Wyatt’s Verse and Italian Musical Sources.” English Miscellany 14 (1963): 9-26.
 * ---. “The Canzone in Sixteenth Century English Verse, with Particular reference to Wyatt’s Renderings from Petrarch’s Canzoniere.” English Miscellany 11 (1960): 21-32.
 * Murphy, Virginia. “The Literature and Propaganda of Henry VIII’s First Divorce.” 135-58 in Diarmaid MacCulloch, ed.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * ---. “Sir Thomas Wyatt’s Songs: A Trio of Problems in Manuscript Sources.“ Music and Letters 39 (1958): 262-4.
 * ---. “Sir Thomas Wyatt’s Verse and Italian Musical Sources.” English Miscellany 14 (1963): 9-26.
 * ---. “The Canzone in Sixteenth Century English Verse, with Particular reference to Wyatt’s Renderings from Petrarch’s Canzoniere.” English Miscellany 11 (1960): 21-32.
 * Murphy, Virginia. “The Literature and Propaganda of Henry VIII’s First Divorce.” 135-58 in Diarmaid MacCulloch, ed.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * Murphy, Virginia. “The Literature and Propaganda of Henry VIII’s First Divorce.” 135-58 in Diarmaid MacCulloch, ed.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.
 * Murray, James A. H. The Complaynt of Scotlande. London: Early English Text Society, 1872.

N

 * National Library of Scotland. Catalogue of Manuscripts Acquired Since 1925. Edinburgh: National Library of Scotland, 1989.
 * Nelson, William. John Skelton: Laureate. New York: Russell & Russell, 1964.
 * Nelson, William. John Skelton: Laureate. New York: Russell & Russell, 1964.

O

 * OED. Oxford English Dictionary.


 * Oldham, James Basil. English Blind-Stamped Tools. [The Sandars Lectures, 1949.] Cambridge: Cambridge UP, 1952.
 * ---, ed. Shrewsbury School Library Bindings. Oxford: Oxford UP, 1943.
 * Oliver, Raymond. Poems Without Names: The English Lyric, 1200-1500. Berkeley, Los Angeles, London: U of California P. 1970.
 * d’Orleans, Charles. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Mary-Jo Arn, ed. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
 * Ostriker, Alicia. “The Lyric: (i) The Poetry.” 91-106 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
 * Oxford English Dictionary. Second Edition. Oxford: Clarendon P, 1989. [On CD-ROM] Oxford: Oxford UP, 1992.
 * d’Orleans, Charles. Fortunes Stabilnes: Charles of Orleans’s English Book of Love, A Critical Edition. Mary-Jo Arn, ed. Binghamton, NY: Medieval and Renaissance Texts and Studies, 1994.
 * Ostriker, Alicia. “The Lyric: (i) The Poetry.” 91-106 in C. Ricks, ed. English Poetry and Prose, 1540-1674.
 * Oxford English Dictionary. Second Edition. Oxford: Clarendon P, 1989. [On CD-ROM] Oxford: Oxford UP, 1992.
 * Oxford English Dictionary. Second Edition. Oxford: Clarendon P, 1989. [On CD-ROM] Oxford: Oxford UP, 1992.
 * Oxford English Dictionary. Second Edition. Oxford: Clarendon P, 1989. [On CD-ROM] Oxford: Oxford UP, 1992.

P

 * Padelford. Padelford, Fredrick M. Early Sixteenth Century Lyrics.
 * Padelford, Fredrick M. Early Sixteenth Century Lyrics. Boston: D. C. Heath and Co., 1907.
 * Palgrave, Francis Turner, ed. The Golden Treasury. 2 vols. London: Macmillan and Co., 1891-1897.
 * The Paradise of Daynty Devises. H.E. Rollins, ed. Cambridge, MA: Harvard UP, 1927.
 * Parr, Katherine. The Early Modern Englishwoman. Vol. 3. Janel Mueller, ed. Aldershot: Scholar P, 1996.
 * Patterson, Lee. “The Logic of Textual Criticism and the Way of Genius: The Kane-Donaldson Piers Plowman in Historical Perspective.” 55-91 in McGann, Textual Criticism.
 * Pattison, Bruce. Music and Poetry of the English Renaissance. London: Methuen, 1948; rpt. 1971.
 * Peerson, Martin. Priuate Musicke. Or the first booke of Ayres and Dialogues. London: Thomas Snodham, 1620.
 * Percy. Percy, Thomas. Reliques of Ancient English Poetry.
 * Percy, Thomas. Reliques of Ancient English Poetry. London: J. Dodsley, 1765.
 * Phillips, James E. “Elizabeth I as a Latin Poet: An Epigram on Paul Melissus.” Renaissance News 16 (1963): 289-298.
 * Phillips, Thomas. “The Life of Sir Peter Carew.” Archaeoligia 28 (1840): 96-151.
 * Picker, Martin, ed. The Chanson Albums of Marguerite of Austria: Mss. 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels. Berkeley: U California P, 1965.
 * ---. Fors Seulement: Thirty Compositions for Three and Five Voices or Instruments from the Fifteenth and Sixteenth Centuries. Madison: A-R Editions, 1981.
 * Pilkington, Francis. The first booke of Songs or Ayres of 4. parts: vvith Tableture for the Lute or Orpherian, with the Violl de Gamba. London: T. Este, 1605.
 * Pine, E. The Westminster Abbey Singers. London: D. Dobson, 1953.
 * Plamenac, Dragan. “Autor d’Ockeghem.” Revue Musicale 9 (1928): 26-47.
 * ---. “A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville.” [Part I] Music Quarterly 37 (1951): 501-42; [Part II] Music Quarterly 38 (1952): 85-117
 * Pollock, Adam. Sudeley Castle. London: Balding and Mansell, 1970.
 * Pollard/STC. Pollard, A.W., and G.R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 1475-1640.
 * Pollard, A. W., and G. R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 1475-1640. Second ed. London: The Bibliographical Society, 1986.
 * Prescott, Anne Lake. “The Pearl of the Valois and Elizabeth I: Marguerite de Navarre’s Miroir and Tudor England.” 61-76 in Margaret Patterson Hannay, ed. Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent, OH: Kent State UP, 1985.
 * Preston, Michael J. A Complete Concordance to the Songs of the Early Tudor Court. Leeds: W. A. Manley and Son, 1972.
 * Prine, David C. Patrons and Musicians of the English Renaissance. Cambridge: Cambridge UP, 1981.
 * Puttenham, George. The Arte of English Poesie. London: Richard Field, 1589. Facs. Menston: Scolar P, 1968. G.D. Willcock and A. Walker, eds. Cambridge: Cambridge UP, 1936.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.
 * ---. Fors Seulement: Thirty Compositions for Three and Five Voices or Instruments from the Fifteenth and Sixteenth Centuries. Madison: A-R Editions, 1981.
 * Pilkington, Francis. The first booke of Songs or Ayres of 4. parts: vvith Tableture for the Lute or Orpherian, with the Violl de Gamba. London: T. Este, 1605.
 * Pine, E. The Westminster Abbey Singers. London: D. Dobson, 1953.
 * Plamenac, Dragan. “Autor d’Ockeghem.” Revue Musicale 9 (1928): 26-47.
 * ---. “A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville.” [Part I] Music Quarterly 37 (1951): 501-42; [Part II] Music Quarterly 38 (1952): 85-117
 * Pollock, Adam. Sudeley Castle. London: Balding and Mansell, 1970.
 * Pollard/STC. Pollard, A.W., and G.R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 1475-1640.
 * Pollard, A. W., and G. R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 1475-1640. Second ed. London: The Bibliographical Society, 1986.
 * Prescott, Anne Lake. “The Pearl of the Valois and Elizabeth I: Marguerite de Navarre’s Miroir and Tudor England.” 61-76 in Margaret Patterson Hannay, ed. Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent, OH: Kent State UP, 1985.
 * Preston, Michael J. A Complete Concordance to the Songs of the Early Tudor Court. Leeds: W. A. Manley and Son, 1972.
 * Prine, David C. Patrons and Musicians of the English Renaissance. Cambridge: Cambridge UP, 1981.
 * Puttenham, George. The Arte of English Poesie. London: Richard Field, 1589. Facs. Menston: Scolar P, 1968. G.D. Willcock and A. Walker, eds. Cambridge: Cambridge UP, 1936.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.
 * Pollard, A. W., and G. R. Redgrave. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 1475-1640. Second ed. London: The Bibliographical Society, 1986.
 * Prescott, Anne Lake. “The Pearl of the Valois and Elizabeth I: Marguerite de Navarre’s Miroir and Tudor England.” 61-76 in Margaret Patterson Hannay, ed. Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent, OH: Kent State UP, 1985.
 * Preston, Michael J. A Complete Concordance to the Songs of the Early Tudor Court. Leeds: W. A. Manley and Son, 1972.
 * Prine, David C. Patrons and Musicians of the English Renaissance. Cambridge: Cambridge UP, 1981.
 * Puttenham, George. The Arte of English Poesie. London: Richard Field, 1589. Facs. Menston: Scolar P, 1968. G.D. Willcock and A. Walker, eds. Cambridge: Cambridge UP, 1936.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.
 * Prine, David C. Patrons and Musicians of the English Renaissance. Cambridge: Cambridge UP, 1981.
 * Puttenham, George. The Arte of English Poesie. London: Richard Field, 1589. Facs. Menston: Scolar P, 1968. G.D. Willcock and A. Walker, eds. Cambridge: Cambridge UP, 1936.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.
 * Puttenham, George. The Arte of English Poesie. London: Richard Field, 1589. Facs. Menston: Scolar P, 1968. G.D. Willcock and A. Walker, eds. Cambridge: Cambridge UP, 1936.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.
 * The pylgrymage of Sir Richarde Guylforde Knyght, [and] controuler vnto our late soueraygne lorde kynge Henry the. vij. And howe he went with his seruauntz and company towardes Iherusalem. London: Richard Pynson, 1511.

R

 * Rastell, John. The Four Elements [A new interlude and a mery of the nature of the iiij elements.] facs. repr. Amersham, UK: John S. Farmer, 1908.
 * Ravenscroft, Thomas. A briefe discourse of the true use of charact’ring the degrees in measurable musicke. London: E.Allde for T.Adams, 1614.
 * Ravenscroft, Thomas. Deuteromelia: Or The Second part of Musicks melodie, or melodius Musicke. Of Pleasant Roundelaies; K. H. mirth, or Freemens Songs. London: Thomas Adams, 1609. [Repr.] New York: De Capo P, 1971.
 * Ravenscroft, Thomas. Pammelia. Mvsicks Miscellanie. Or, Mixed Varietie of Pleasant Roundelayes, and delightfull Catches, of 3. 4. 5. 6. 7. 8. 9. 10. Parts in one. London: William Barley, 1609.
 * Reed. Reed, E.B. “The Sixteenth-Century Lyrics in Additional MS 18,752.”
 * Reed, E.B. “The Sixteenth-Century Lyrics in Additional MS 18,752.” Anglia 33I (1910): 344 ff.
 * Reese. Reese, Gustave. Music in the Renaissance.
 * Reese, Gustave. Music in the Renaissance. New York: W. W. Norton, 1959.
 * Remley, Paul G. “Mary Shelton and Her Tudor Literary Milieu.” 40-77 in Peter C. Herman, ed. Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts. Urbana: U of Illinois P, 1994.
 * Rickert. Rickert, Edith. Ancient English Christmas Carols.
 * Rickert, Edith. Ancient English Christmas Carols. London: Chatto and Windus, 1910.
 * Ricks, Christopher, ed. English Poetry and Prose, 1540-1674. London: Sphere, 1970, rev. 1986.
 * Rimbault. Rimbault, Edward F. A Little Book of Songs and Ballads.
 * Rimbault, Edward F. A Little Book of Songs and Ballads. London: J.R. Smith, 1851.
 * Ringler MS. Ringler, William A. Jr. Bibliography and Index of English Verse in Manuscript 1501-1558.
 * Ringler Print. Ringler, William A. Jr. Bibliography and Index of English Verse Printed 1476-1558.
 * Ringler, William A. Jr. Bibliography and Index of English Verse in Manuscript 1501-1558. London: Mansell, 1992.
 * ---. Bibliography and Index of English Verse Printed 1476-1558. London: Mansell, 1988.
 * Ritson. Ritson, Joseph. Ancient Songs.
 * Ritson. Ancient Songs and Ballads from the Reign of King Henry the Third to the Revolution. 2 vols. London: J. Johnson, 1790.
 * Robbins Index. Robbins, R.H. and Carleton Brown. Index of Middle English Verse.
 * Robbins Suppl. Robbins, R.H., and J.L. Cutler. Supplement to the Index of Middle English Verse.
 * Robbins, R.H., ed. Secular Lyrics of the Fourteenth and Fifteenth Centuries. Oxford: Clarendon P, 1961.
 * --- and Carleton Brown. Index of Middle English Verse. New York: Columbia UP, 1943.
 * --- and J.L. Cutler. Supplement to the Index of Middle English Verse. Lexington, KY: Kentucky UP, 1965.
 * Roman de la Rose. Charles Dahlberg, trans. Princeton: Princeton UP, 1971.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.
 * Ringler MS. Ringler, William A. Jr. Bibliography and Index of English Verse in Manuscript 1501-1558.
 * Ringler Print. Ringler, William A. Jr. Bibliography and Index of English Verse Printed 1476-1558.
 * Ringler, William A. Jr. Bibliography and Index of English Verse in Manuscript 1501-1558. London: Mansell, 1992.
 * ---. Bibliography and Index of English Verse Printed 1476-1558. London: Mansell, 1988.
 * Ritson. Ritson, Joseph. Ancient Songs.
 * Ritson. Ancient Songs and Ballads from the Reign of King Henry the Third to the Revolution. 2 vols. London: J. Johnson, 1790.
 * Robbins Index. Robbins, R.H. and Carleton Brown. Index of Middle English Verse.
 * Robbins Suppl. Robbins, R.H., and J.L. Cutler. Supplement to the Index of Middle English Verse.
 * Robbins, R.H., ed. Secular Lyrics of the Fourteenth and Fifteenth Centuries. Oxford: Clarendon P, 1961.
 * --- and Carleton Brown. Index of Middle English Verse. New York: Columbia UP, 1943.
 * --- and J.L. Cutler. Supplement to the Index of Middle English Verse. Lexington, KY: Kentucky UP, 1965.
 * Roman de la Rose. Charles Dahlberg, trans. Princeton: Princeton UP, 1971.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.
 * Robbins Index. Robbins, R.H. and Carleton Brown. Index of Middle English Verse.
 * Robbins Suppl. Robbins, R.H., and J.L. Cutler. Supplement to the Index of Middle English Verse.
 * Robbins, R.H., ed. Secular Lyrics of the Fourteenth and Fifteenth Centuries. Oxford: Clarendon P, 1961.
 * --- and Carleton Brown. Index of Middle English Verse. New York: Columbia UP, 1943.
 * --- and J.L. Cutler. Supplement to the Index of Middle English Verse. Lexington, KY: Kentucky UP, 1965.
 * Roman de la Rose. Charles Dahlberg, trans. Princeton: Princeton UP, 1971.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.
 * --- and J.L. Cutler. Supplement to the Index of Middle English Verse. Lexington, KY: Kentucky UP, 1965.
 * Roman de la Rose. Charles Dahlberg, trans. Princeton: Princeton UP, 1971.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.
 * Roman de la Rose. Charles Dahlberg, trans. Princeton: Princeton UP, 1971.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.
 * Rowley, Samuel. When you see me, You know me. Or the famous Chronicle Historie of king Henry the eight, with the birth & vertuous life of Edward Princes of Wales. London: [for] Nathaniell Butter, 1605. Rptd. Oxford: [Oxford UP for the] Malone Society Reprints, 1952.

S

 * Saltmarsh, J. “Two Medieval Love Songs Set to Music.” Antiquaries Journal 15 (1935): 14-21.
 * Scarisbrick, J. J. Henry VIII. Berkeley: U of California P, 1970.
 * Schleiner, Louise. “Recent Studies in Poetry and Music of the English Renaissance.” English Literary Renaissance 16 (1986): 253-68.
 * Sharpe, Kevin. “Private Conscience and Public Duty in the Writings of James VI and I.” 77-100 in John Morrill, et al., eds. Public Duty and Private Conscience in Seventeenth-Century England: Essays Presented to G. E. Aylmer. Oxford: Clarendon P, 1993.
 * Seaton. Seaton, Ethel. Sir Richard Roos: Lancastrian Poet.
 * Seaton, Ethel. Sir Richard Roos: Lancastrian Poet. London: Hart-Davis, 1961.
 * Seng, Peter S., ed. Tudor Songs and Ballads From MS Cotton Vespasian A-25. Cambridge, MA: Harvard UP, 1978.
 * Shakespeare, William. [Works] The Riverside Shakespeare. G.B. Evans, et al., eds. Boston: Houghton Mifflin, 1974.
 * Sherbo, Arthur. “The Uses and Abuses of Internal Evidence.” 6-24 in Erdman and Fogel.
 * Sidney, Philip. A Defense of Poesie. [Rpt. facs.] Menston: Scolar P, 1968.
 * ---. Sir Philip Sidney: A Critical Edition of the Major Works. [The Oxford Authors.] Katherine Duncan-Jones, ed. Oxford: Oxford UP, 1989.
 * Siemens, Raymond G. "Henry VIII and the Poetry of Politics." With Peter Herman. Peter Herman, ed. Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. Tempe: Medieval and Renaissance Texts and Studies, 2002. 11-34.
 * ---. "Reading Monarchs Writing: Introduction." With Peter Herman. Peter Herman, ed. Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. Tempe: Medieval and Renaissance Texts and Studies, 2002. 1-10.
 * ---. "Henry VIII's Lyrics, from the Henry VIII MS (London, British Library Additional Manuscript 31,922)." R.G. Siemens, ed. In Peter Herman, ed. Reading Monarchs Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. Tempe: Medieval and Renaissance Texts and Studies, 2002. 217-228.
 * ---. “Thomas Wyatt, Anne Boleyn, and Henry VIII’s Lyric ‘Pastime with Good Company.’” Notes and Queries n.s. 44 (1997): 26-7.
 * Skelton, John. John Skelton: The Complete English Poems. John Scattergood, ed. New York: Penguin, 1983.
 * ---. The Poetical Works of John Skelton. Alexander Dyce, ed. London: Thomas Rodd, 1943.
 * ---. Complete Poems of John Skelton. Philip Henderson, ed. London: J.M. Dent, 1931.
 * Slim, H.C. A Gift of Madrigals and Motets. Chicago, 1972.
 * Smijers, Albert, ed. Josquin des Prés: Werken: Missen. Amsterdam: Alsback & Co., 1931-56.
 * ---. Jacobus Obrecht: Opera Omnia: Missen. Amsterdam: Alsback & Co., 1954.
 * Smith, Thomas, ed. Catalogue of the Manuscripts in the Cottonian Library 1696. Cambridge: D. S. Brewer, 1984.
 * Songes and Sonnettes, written by Henry Haward late earle of Surrey, and other. London: R. Tottel, 1557; facs. Leeds: Scolar P, 1966. Rptd. and ed. E. Arber. Birmingham: 1870. Rptd. and ed. H.E. Rollins. Cambridge, MA: Harvard UP, 1965. Electronic edition Tottel’s Miscellany (1557a). R.G. Siemens, ed. In Ian Lancashire, et al., eds. Using TACT with Electronic Texts: A Guide to Text-Analysis Computing Tools. New York: Modern Language Association, 1996.
 * Southall, Raymond. “The Devonshire Manuscript Collection of Early Tudor Poetry, 1532-41.” Review of English Studies 15 (1964): 142-50.
 * Spearing, A.C. “Wyatt’s Poetic Role [and] Wyatt as Courtly Lyricist.” 278-300 in Medieval to Renaissance in English Poetry. Cambridge: Cambridge UP, 1985.
 * Spenser, Edmund. The Faerie Queene. Thomas P. Roche, ed. London: Penguin, 1978.
 * ---. The Yale Edition of the Shorter Poems of Edmund Spenser. William A. Oram, et al., eds. New Haven: Yale UP, 1989.
 * Stafford Collection. Stafford Smith, John. A Collection of English Songs in Score for 3 and 4 Voices.
 * Stafford Antiqua. Stafford Smith, John. Musica Antiqua: Selections of Music.
 * Stafford Smith, John. A Collection of English Songs in Score for 3 and 4 Voices. London: J. Bland, 1779.
 * Stafford Smith, John. Musica Antiqua: Selections of Music. London: Preston, 1812.
 * Starkey, David. The Reign of Henry VIII: Personalities and Politics. London: Collins and Brown, 1991.
 * ---. “The Court: Castiglione’s Ideal and Tudor Reality, Being a Discussion of Sir Thomas Wyatt’s ‘Satire Addressed to Sir Francis Bryan’.” Journal of the Warburg and Cortauld Institute 45 (1982): 232-8.
 * Stemmler, Theo. “The Songs and Love-Letters of Henry VIII: On the Flexibility of Literary Genres.” 97-111 in Uwe Baumann, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
 * Stevens M&P. Stevens, John E. Music and Poetry in the Early Tudor Court.
 * Stevens MCH8. Stevens, John E. Music at the Court of Henry VIII.
 * Stevens, John E. Music at the Court of Henry VIII. [Musica Britannica 18.] London: Stainer and Bell, 1962.
 * ---. Music and Poetry in the Early Tudor Court. London: Methuen and Co., 1961.
 * Stow, John. The Annales of England. London: R. Newbury, 1582.
 * Streitberger, W. R. Court Revels, 1485-1559. Toronto: U of Toronto P, 1993.
 * ---. “The Development of Henry VIII’s Revels Establishment.” Medieval English Theatre 7.2 (1985): 83-100.
 * Strelka, J. Der Burgundische Renaissancehof Margarethus von Osterreich und seince literarhistoriche Bedentung. Vienna: A. Sexl, 1957.
 * Surrey, Henry Howard, Earl of. Henry Howard, Earl of Surrey: Poems. Emrys Jones, ed. Oxford: Clarendon P, 1964.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Songes and Sonnettes, written by Henry Haward late earle of Surrey, and other. London: R. Tottel, 1557; facs. Leeds: Scolar P, 1966. Rptd. and ed. E. Arber. Birmingham: 1870. Rptd. and ed. H.E. Rollins. Cambridge, MA: Harvard UP, 1965. Electronic edition Tottel’s Miscellany (1557a). R.G. Siemens, ed. In Ian Lancashire, et al., eds. Using TACT with Electronic Texts: A Guide to Text-Analysis Computing Tools. New York: Modern Language Association, 1996.
 * Southall, Raymond. “The Devonshire Manuscript Collection of Early Tudor Poetry, 1532-41.” Review of English Studies 15 (1964): 142-50.
 * Spearing, A.C. “Wyatt’s Poetic Role [and] Wyatt as Courtly Lyricist.” 278-300 in Medieval to Renaissance in English Poetry. Cambridge: Cambridge UP, 1985.
 * Spenser, Edmund. The Faerie Queene. Thomas P. Roche, ed. London: Penguin, 1978.
 * ---. The Yale Edition of the Shorter Poems of Edmund Spenser. William A. Oram, et al., eds. New Haven: Yale UP, 1989.
 * Stafford Collection. Stafford Smith, John. A Collection of English Songs in Score for 3 and 4 Voices.
 * Stafford Antiqua. Stafford Smith, John. Musica Antiqua: Selections of Music.
 * Stafford Smith, John. A Collection of English Songs in Score for 3 and 4 Voices. London: J. Bland, 1779.
 * Stafford Smith, John. Musica Antiqua: Selections of Music. London: Preston, 1812.
 * Starkey, David. The Reign of Henry VIII: Personalities and Politics. London: Collins and Brown, 1991.
 * ---. “The Court: Castiglione’s Ideal and Tudor Reality, Being a Discussion of Sir Thomas Wyatt’s ‘Satire Addressed to Sir Francis Bryan’.” Journal of the Warburg and Cortauld Institute 45 (1982): 232-8.
 * Stemmler, Theo. “The Songs and Love-Letters of Henry VIII: On the Flexibility of Literary Genres.” 97-111 in Uwe Baumann, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
 * Stevens M&P. Stevens, John E. Music and Poetry in the Early Tudor Court.
 * Stevens MCH8. Stevens, John E. Music at the Court of Henry VIII.
 * Stevens, John E. Music at the Court of Henry VIII. [Musica Britannica 18.] London: Stainer and Bell, 1962.
 * ---. Music and Poetry in the Early Tudor Court. London: Methuen and Co., 1961.
 * Stow, John. The Annales of England. London: R. Newbury, 1582.
 * Streitberger, W. R. Court Revels, 1485-1559. Toronto: U of Toronto P, 1993.
 * ---. “The Development of Henry VIII’s Revels Establishment.” Medieval English Theatre 7.2 (1985): 83-100.
 * Strelka, J. Der Burgundische Renaissancehof Margarethus von Osterreich und seince literarhistoriche Bedentung. Vienna: A. Sexl, 1957.
 * Surrey, Henry Howard, Earl of. Henry Howard, Earl of Surrey: Poems. Emrys Jones, ed. Oxford: Clarendon P, 1964.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Stemmler, Theo. “The Songs and Love-Letters of Henry VIII: On the Flexibility of Literary Genres.” 97-111 in Uwe Baumann, ed. Henry VIII in History, Historiography and Literature. Frankfurt: Peter Lang, 1992.
 * Stevens M&P. Stevens, John E. Music and Poetry in the Early Tudor Court.
 * Stevens MCH8. Stevens, John E. Music at the Court of Henry VIII.
 * Stevens, John E. Music at the Court of Henry VIII. [Musica Britannica 18.] London: Stainer and Bell, 1962.
 * ---. Music and Poetry in the Early Tudor Court. London: Methuen and Co., 1961.
 * Stow, John. The Annales of England. London: R. Newbury, 1582.
 * Streitberger, W. R. Court Revels, 1485-1559. Toronto: U of Toronto P, 1993.
 * ---. “The Development of Henry VIII’s Revels Establishment.” Medieval English Theatre 7.2 (1985): 83-100.
 * Strelka, J. Der Burgundische Renaissancehof Margarethus von Osterreich und seince literarhistoriche Bedentung. Vienna: A. Sexl, 1957.
 * Surrey, Henry Howard, Earl of. Henry Howard, Earl of Surrey: Poems. Emrys Jones, ed. Oxford: Clarendon P, 1964.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Streitberger, W. R. Court Revels, 1485-1559. Toronto: U of Toronto P, 1993.
 * ---. “The Development of Henry VIII’s Revels Establishment.” Medieval English Theatre 7.2 (1985): 83-100.
 * Strelka, J. Der Burgundische Renaissancehof Margarethus von Osterreich und seince literarhistoriche Bedentung. Vienna: A. Sexl, 1957.
 * Surrey, Henry Howard, Earl of. Henry Howard, Earl of Surrey: Poems. Emrys Jones, ed. Oxford: Clarendon P, 1964.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Strelka, J. Der Burgundische Renaissancehof Margarethus von Osterreich und seince literarhistoriche Bedentung. Vienna: A. Sexl, 1957.
 * Surrey, Henry Howard, Earl of. Henry Howard, Earl of Surrey: Poems. Emrys Jones, ed. Oxford: Clarendon P, 1964.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.
 * Surtz, Edward, and Virginia Murphy, eds. The Divorce Tracts of Henry VIII. Angers, Fr.: Moreana, 1988.

T

 * Tanner, Thomas. Bibliotheca Britannica. London: Guliemus Bowyer, 1748.
 * Tapp, W.H. Anne Boleyn and Elizabeth at the Royal Manor of Hanworth. London: Bailey Bros. & Swinfen, [1954].
 * Teague, Frances. “Elizabeth I: Queen of England.” 522-547 in Katharina M. Wilson, ed. Women Writers of the Renaissance and Reformation. Athens: U of Georgia P, 1987.
 * Thomas, A.H., and I.D. Thornley, eds. The Great Chronicle of London. London: G.W. Jones, 1938.
 * Thompson, Benjamin, ed. The Reign of Henry VII. [Proceedings of the 1993 Harlaxton Symposium.] Stamford: Paul Watkins, 1995.
 * Thomson, Patricia. “Courtly Love.” 10-45 in Sir Thomas Wyatt and His Background. London: Routledge and Kegan Paul, 1964.
 * Tilley, Morris P. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries. Ann Arbor: U of Michigan P, 1950.
 * Tillyard. Tillyard, E.M.W., ed. The Poetry of Sir Thomas Wyatt.
 * Tillyard, E.M.W. “Introduction.” 3-56 in Thomas Wyatt. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * Torrefranca, Fausto. Il Segreto del Quattrocento. Milan: Ulrico Hoepli, 1939.
 * Tottel’s Miscellany. Songes and Sonnettes, written by Henry Haward late earle of Surrey, and other.
 * Trefusis. Trefusis, Lady Mary. Songs, Ballads and Instrumental Pieces Composed by King Henry VIII.
 * Trefusis, Lady Mary. Songs, Ballads and Instrumental Pieces Composed by King Henry VIII. Oxford: Roxburghe Club, 1912.
 * Turner. Turner, Sharon. History of England.
 * Turner, Sharon. History of England. 12 vols. London: Longman, et al., 1823.
 * Twenty Songes. London: 1530.
 * Tillyard, E.M.W. “Introduction.” 3-56 in Thomas Wyatt. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * Torrefranca, Fausto. Il Segreto del Quattrocento. Milan: Ulrico Hoepli, 1939.
 * Tottel’s Miscellany. Songes and Sonnettes, written by Henry Haward late earle of Surrey, and other.
 * Trefusis. Trefusis, Lady Mary. Songs, Ballads and Instrumental Pieces Composed by King Henry VIII.
 * Trefusis, Lady Mary. Songs, Ballads and Instrumental Pieces Composed by King Henry VIII. Oxford: Roxburghe Club, 1912.
 * Turner. Turner, Sharon. History of England.
 * Turner, Sharon. History of England. 12 vols. London: Longman, et al., 1823.
 * Twenty Songes. London: 1530.
 * Trefusis, Lady Mary. Songs, Ballads and Instrumental Pieces Composed by King Henry VIII. Oxford: Roxburghe Club, 1912.
 * Turner. Turner, Sharon. History of England.
 * Turner, Sharon. History of England. 12 vols. London: Longman, et al., 1823.
 * Twenty Songes. London: 1530.
 * Turner, Sharon. History of England. 12 vols. London: Longman, et al., 1823.
 * Twenty Songes. London: 1530.
 * Twenty Songes. London: 1530.

V

 * Vaissier, J.J., ed. A Devout Treatyse Called the Tree and xii. Frutes of the Holy Goost. Groningen: J.B. Wolters, 1960.
 * Velz, John W. “From Authorization to Authorship, Orality to Literature: The Case of Medieval and Renaissance Drama.” Text: Transactions of the Society for Textual Scholarship 6 (1994): 197-211.
 * de Voragine, Jacobus. Legenda aurea. [Trans. Caxton.] Westminster: [Caxton], 1493.
 * de Voragine, Jacobus. Legenda aurea. [Trans. Caxton.] Westminster: [Caxton], 1493.
 * de Voragine, Jacobus. Legenda aurea. [Trans. Caxton.] Westminster: [Caxton], 1493.

W

 * W., J.L. “MS. Book of Prayers Belonging to Queen Katherine Parr.” Notes and Queries [ser. 1] 2 (1850): 167.
 * Wager, Lewis. A new Enterlude, neuer before this tyme imprinted, entreating of the Life and Repentaunce of Marie Magdalene: not only godlie, learned and fruitefull, but also well furnished with pleasaunt myrth and pastime, very delectable for those which shall heare or reade the same. London: John Charlewood, 1566.
 * Walker, Ernest. A History of Music in England. Third edition, rev. and enl. by J.A. Westrup. Oxford: Clarendon P, 1952.
 * Walker, Greg. Plays of Persuasion: Drama and Politics at the Court of Henry VIII. Cambridge: Cambridge UP, 1991.
 * Wallis, Norbert Hardy, ed. Anonymous French Verse. London: U London P, 1929.
 * Walpole, Horace. A Catalogue of the Royal and Noble Authors of England London: 1758.
 * Ward, John. “Lute Music of MS. Royal Appendix 58.” Journal of the American Musicological Society 13 (1960): 117-25.
 * Warner, James C. Representing Henry VIII: Humanist Discourse in the Years of the Reformation Parliament. [DAI #AAC 9504699.] Ph.D. Dissertation. Seattle: U of Washington, 1994.
 * Warton, Thomas. The History of English Poetry From the Close of the Eleventh to the Commencement of the Eighteenth Century [1781]. Rev. ed.; 4 vols. London: Thomas Tegg, 1824.
 * Weimann, Robert. Authority and Representation in Early Modern Discourse. David Hillman, ed. and trans. Baltimore and London: Johns Hopkins UP, 1996.
 * Wellek, René and Alvaro Ribeiro. Evidence in Literary Scholarship. Oxford: Clarendon P, 1979.
 * Whiting, B.J., and H.W. Whiting. ''Proverbs, Sentences, and Proverbial Phrases From English Writings Mainly Before 1500’’. Cambridge, MA: Belnap P of Harvard UP, 1968.
 * Whittinton, Robert, and John Stanbridge. The Vulgaria of John Stanbridge and Robert Whittinton. [EETS 187.] Beatrice White, ed. London: Early English Text Society, 1932.
 * Wills and Administrations Now Preserved in the Probate Registry at Canterbury. Archdeaconry Registry. Kent: Centre for Kentish Studies, 1995 (accessed).
 * Wolf, Johannes, ed . Heinrich Isaac: Weltliche Werke. In Denkmäler der Tonkunst on Österreich 28. Vienna: Österreichischer Bundesverlag, 1907.
 * ---. Werken van Jacob Obrecht: Wereldlijke Werken. Leipzig-Amsterdam: Vereeniging voor Noord-Nederlands Muziek-geschiedenis, n.d. Rptd. Farnborough, UK: Gregg Intl. Publishers, 1968.
 * Wormald, Jenny. “James VI and I, Basilikon Doron and The Trew Law of Free Monarchies: The Scottish Context and the English Translation.” 36-54 in Linda Levy Peck, ed. The Mental World of the Jacobean Court. Cambridge: Cambridge UP, 1991.
 * Wulstan, David. Tudor Music. London: Dent, 1985.
 * Wyatt, Sir Thomas. The Poems of Sir Thomas Wiat. A.K. Foxwell, ed. London: U of London P: 1900.
 * ---. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.
 * Whiting, B.J., and H.W. Whiting. ''Proverbs, Sentences, and Proverbial Phrases From English Writings Mainly Before 1500’’. Cambridge, MA: Belnap P of Harvard UP, 1968.
 * Whittinton, Robert, and John Stanbridge. The Vulgaria of John Stanbridge and Robert Whittinton. [EETS 187.] Beatrice White, ed. London: Early English Text Society, 1932.
 * Wills and Administrations Now Preserved in the Probate Registry at Canterbury. Archdeaconry Registry. Kent: Centre for Kentish Studies, 1995 (accessed).
 * Wolf, Johannes, ed . Heinrich Isaac: Weltliche Werke. In Denkmäler der Tonkunst on Österreich 28. Vienna: Österreichischer Bundesverlag, 1907.
 * ---. Werken van Jacob Obrecht: Wereldlijke Werken. Leipzig-Amsterdam: Vereeniging voor Noord-Nederlands Muziek-geschiedenis, n.d. Rptd. Farnborough, UK: Gregg Intl. Publishers, 1968.
 * Wormald, Jenny. “James VI and I, Basilikon Doron and The Trew Law of Free Monarchies: The Scottish Context and the English Translation.” 36-54 in Linda Levy Peck, ed. The Mental World of the Jacobean Court. Cambridge: Cambridge UP, 1991.
 * Wulstan, David. Tudor Music. London: Dent, 1985.
 * Wyatt, Sir Thomas. The Poems of Sir Thomas Wiat. A.K. Foxwell, ed. London: U of London P: 1900.
 * ---. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.
 * Wormald, Jenny. “James VI and I, Basilikon Doron and The Trew Law of Free Monarchies: The Scottish Context and the English Translation.” 36-54 in Linda Levy Peck, ed. The Mental World of the Jacobean Court. Cambridge: Cambridge UP, 1991.
 * Wulstan, David. Tudor Music. London: Dent, 1985.
 * Wyatt, Sir Thomas. The Poems of Sir Thomas Wiat. A.K. Foxwell, ed. London: U of London P: 1900.
 * ---. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.
 * Wyatt, Sir Thomas. The Poems of Sir Thomas Wiat. A.K. Foxwell, ed. London: U of London P: 1900.
 * ---. The Poetry of Sir Thomas Wyatt: A Selection and a Study. E.M.W. Tillyard, ed. London: Scolartis P, 1929.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.
 * ---. Sir Thomas Wyatt: The Complete Poems. R.A. Rebholz, ed. London: Penguin, 1978.

Y

 * Yates, Frances A. Astrea: The Imperial Theme in the Sixteenth Century. London: Routledge and Kegan Paul, 1975.
 * Young, Alan R. The English Tournament Impresse. New York: AMS P, 1988.
 * Young, Alan R. The English Tournament Impresse. New York: AMS P, 1988.