Na'vi/Phonology

While all of Naʼvi's sounds occur in human languages, their combination is unique. Naʼvi lacks like  even though it has the voiced s ; more prominent than such intentional gaps though are its , spelled px tx kx, which are novel to most English speakers. Naʼvi also has the s ll and rr in addition to its seven simple vowels. Although the sounds were designed to be pronounceable by the human actors of the film, there are unusual and difficult s, such as in fngap "metal" and tskxe  "rock".

The fictional Naʼvi language of Pandora is unwritten, but the actual (constructed) language is written in the Latin alphabet. The movie scripts were written in a slightly anglicized orthography for the actors of Avatar, with ng, ts for Frommer's preferred g, c. For the sake of simplicity, we will use the anglicized orthography.

Typical Naʼvi words include zìsìt "year", fpeio "ceremonial challenge", nìʼawve "first", muiä "be fair", tireaioang "spirit animal", kllpxìltu "territory", uniltìrantokx "avatar".

Vowels
Altogether, Naʼvi has thirteen vowel-like sounds. These include seven simple vowels: as well as four diphthongs: aw, ew , ay , ey , and two syllabic consonants: ll and rr , which mostly behave as vowels. The u varies between and ; it's the former in  such as tute 'person' and unil 'dream'; it may be either in closed syllables such as tsun 'be able to' and tsmuk 'sibling'.

Naʼvi vowels may occur in sequences, as in the Polynesian languages, Bantu, and Japanese. Each vowel counts as a syllable, so that ʼeoioa "ceremonious" has five syllables,. The syllabic consonants may also occur in sequence with a simple vowel or diphthong, as in hrrap "dangerous".

Comparison with the vowels of English
Most of the vowels occur in English. The ä e ì i ey ay aw are pronounced as and  bat, bet, bit, marine, obey, kayak, and cow. The u varies between put and flute. The a, o, and ew sounds do not occur in these dialects. A is the central vowel of Australian, Scottish, and Welsh father, or of New York lock, and like a French or Spanish a. For RP and GA speakers, it's closest to the a of father; speakers in southern England and eastern New England who do not rhyme father with bother have the Naʼvi a in father. O is the pure vowel of Scottish and Irish English no or Australian and South African English bought, like a Spanish o or, even closer, French eau and Italian come. The ew is equivalent to the eu in Spanish Europa and the el in Brazilian mel "honey". An English approximation is "oh!" in exaggerations of the Queen's English by American comedians such as Carol Burnett. The syllabic consonants behave as vowels, as in plltxe "to speak" and prrteʼ  "pleasure". The rr is strongly, like Spanish rr, but forming a syllable of its own, like an imitation of a cat's purr. The ll is similar to the syllabic le of bottle, but is "light", as in leap or as in Irish English, not "" as GA and RP syllabic l is.

Which English word you associate with which vowel will depend on your dialect. For example, if you're Canadian, Naʼvi e will be like the vowel in bet. However, if you're a New Zealander, it will be closer to your pronunciation of bat. If you're from London, the u varies between the vowels of flute and put. However, if you're Australian, flute will not be a good approximation, and it may be best to stick with put.

A tilde (~) indicates that the word is only an approximation of the Naʼvi pronunciation. A dash (—) indicates that there is no good approximation in this dialect. A question mark (?) indicates that available sources did not supply a good approximation, but one might exist.

Stress
Naʼvi does not have or, but it does have contrastive : t u te  "person", tut e   "female person", or täftx u yu  "weaver", täftxuy u   weaves (formal), like the difference between English  bil low and be low . Although stress may move with , as here, it is not affected by  (case on nouns, tense on verbs, etc). So, for example, the verb l u  "to be" has stress on its only vowel, the u, and no matter what else happens to it, the stress stays on that vowel: lam u  "was", lamäng u    "was (negative speaker attitude)", etc. Although case affects the pronouns that are based on oe "I", most affixes do not affect the stress of other nouns or pronouns. For example, from ng a  "you", there is nìayng a  "like you all"; from l ì ʼu  "word" there is ayl ì ʼufa  "with the words".

Consonants
There are twenty consonants. There are two Latin transcriptions: one that more closely approaches the ideal of one letter per, with the letters c and g for and  (the values they have in much of Eastern Europe and Polynesia, respectively), and a modified transcription used for the actors, with the digraphs ts and ng used for those sounds. In both transcriptions, the are written with digraphs in x, a convention that may be unique to Naʼvi, though Nambikwara uses tx, kx for similar if not identical sounds.

The combination of ejective plosives and voiced fricatives, but no voiced or aspirated plosives, is unusual in human language, but does occur in the Kamchatkan language Itelmen.

In syllable-final and word-final position, p, t, k have, , as in Malay, Cantonese, and other languages of Southeast Asia. Thus a t followed by an s in the next syllable is not equivalent to ts, and so remains ts rather than c in Frommer's preferred orthography: fìzìsìtsre (not *fìzìsìcre ) "before this year".

Comparison with the consonants of English
The plosives p t k and the affricate ts are, as in Spanish or French. Most English dialects have consonants in words like pie, tie, kite, which if imitated would result in a strong foreign accent. Naʼvi p, t, k are instead like the sounds in English spy, sty, sky.

Stops without audible release, such as Naʼvi final p, t, k, occur in English in words and names such as aptly, Atkins, actor. However, some English dialects also have such sounds in word-final position, as Naʼvi does, especially in casual speech.

The, written with an apostrophe, is the catch in the middle of the word uh-oh!. In the Hawaiʻian language, the glottal stop is represented by a letter called the ʻokina (ʻ), which is not the same as a true apostrophe (ʼ) but is often replaced with an apostrophe in modern publications. Cockney English is well known for using a glottal stop for t in words like bottle. This is the effect that the name Naʼvi should have: two syllables, not three. What makes the glottal stop difficult is that it may begin words: ʼeveng is "a child", eveng "children". In languages which have this distinction, such as Arabic, a glottal stop in initial position is much more forceful than it is in uh-oh, and may sound like a tiny cough.

The r is, as in much of Irish and Scottish English, as well as in Malay and in Spanish pero "but". It sounds a bit like the tt or dd in the American pronunciation of the words latter, ladder.

Naʼvi ng and ts (g and c) are common in English in words such as cats and sing (not finger!). However, in Naʼvi they may occur at the beginning of a word, as in tsa "that" and nga "you".

The ejectives are not inherently difficult, but few English speakers have a model to imitate. You may want to review the Wikipedia article.

Syllable structure
Naʼvi syllables may be as simple as a single vowel, or as complex as skxawng "moron" or fngap "metal", both double-consonant–vowel–consonant (CCVC).

The fricatives and the affricate, f v ts s z h, are restricted to the onset of a syllable; the other consonants may occur at either the beginning or at the end. However, in addition to appearing before vowels, f ts s may form s with any of the unrestricted consonants (the s and ) apart from ʼ, making for 39 possible clusters at the beginning of a syllable, as in ayskxawng "morons" or lefngap  "metallic". Other sequences occur across syllable boundaries, such as naʼvi "person", ikran  "banshee", and atxkxe  "land".

When a consonant that could form either an onset on a coda appears between vowels, it is normally the onset of the following syllable. Atokirinaʼ, for example, is a-to-ki- ri -naʼ. However, there are exceptions: kxangangang "boom!" (crack of thunder) is  kxang -ang-ang, as the second and third syllables are echoes of the first. In careful enunciation, syllable divisions sometimes follow the of a word. For example, ayoe "we" is formed from the plural prefix ay- and the pronoun oe "I"; and in careful speech it may be syllabified ay- o -e. However, in rapid speech the default consonant-vowel pattern takes over and it is pronounced a- yo -e, and in most words the default .CV pattern takes over even in careful speech: Verbal VC infixes are apparently always divided between syllables, as V.C, for example in so- li  and sä- pi , from si "do". There are a few root roots with a distinction between a diphthong followed by a vowel (VC.V) and a simple vowel followed by y or w plus the vowel (V.CV); for instance, tswayon "fly" contains the diphthong ay, tsway -on, whereas layon "black" and irayo "thank you" do not: la- yon, i- ra -yo. The distinction is perhaps not very robust, but it is noted in the.

Not all vowels are created equal. Whereas the seven simple vowels and four diphthongs occur in any type of syllable, the syllabic consonants only occur in consonant-vowel syllables, as in vrrtep (vrr-tep) "demon". Nouns ending in a diphthong or a syllabic consonant also take the used after consonants, not those used after the simple vowels. In addition, two identical simple vowels may not occur in a row. That is, *me-e-vi and *a-a-pxa are not found; they reduce to mevi and apxa.

Sound change
The most notable form of sound change in Naʼvi is a kind called. This is a weakening that the plosive consonants undergo after certain and s, as in Irish. In this environment, the ejective plosives px tx kx become the corresponding plain plosives p t k; the plain plosives and affricate p t ts k become the corresponding fricatives f s h; and the glottal stop ʼ disappears entirely. This is basically equivalent to dropping down a row in the consonant chart above.

Because of lenition, the singular and plural forms of nouns can appear rather different. For example, the plural form of po "s/he" is ayfo "they", with the p weakening into an f after the plural prefix ay-, and after the preposition ro "at", tsa "that" takes the form sa. Lenition is also salient in words, as they each come in two forms based on the interrogative element pe : tupe, pesu "who?", kempe, pehem "do what?", krrpe, pehrr "when?", tsengpe, peseng "where?".

The nasal consonants m, n, ng tend to to a following, so that tìng mikyun "to listen" (lit. "give an ear") is generally pronounced as if it were tìm mikyun, tìng nari "to look" (lit. "give an eye") as if it were tìn nari, zenke "mustn't" as zengke, and lunpe "why?" as lumpe.

Vowel sequences consist of dissimilar vowels only. Naʼvi does not have, and this means that derived sequences of similar vowels contract into one. For example, when feminine -e is added to túte "person", the result contracts to tuté "female person", with the only difference being stress placement. Similarly, the me- of eveng "children" contracts to meveng "two children". On the other hand, when two i's come together in the inflection of si "to do" in ngaru irayo s‹ei›i oe "I thank you ", a y is inserted to separate them: Ngáru iráyo seiyí oe. Double consonants may occur at syllable boundaries; however, while the plural (ay-) of yerik "hexapede" is transcribed ayyerik for ease of reading, in pronunciation it is little different from *ayerik.

With the informal pronoun oe "I" and its derivatives, the o reduces to a sound whenever the stress shifts to the e : Óel  "I", but oéru  "to me" and ayoéng  "all of us".

There are other instances of sound change to avoid sequences that don't occur in Naʼvi, though the details are not known. For example, the syllabic consonants cannot follow their non-syllabic homologs: though occurs in lrrtok "a smile", *lll and *rrr are not found. Thus the perfective infix ‹ol› affects the root of plltxe "to say, to speak": p‹ol›lltxe becomes poltxe "spoke".

The vowels of short s are sometimes elided before a or phrase that begins with a vowel, at least in song, for instance sì "and" in 's-ayzìsìtä kato' "and the rhythm of the years" and lu "to be" in 'a l-ayngakip' "who is among you"; the same may happen of unstressed vowels of grammatical prefixes, as the ì of nì-ʼaw "only" in 'hanʼaw txo' "so (ha) only (nìʼaw) if (txo)". These examples fit the meter of a song, but similar things occur in fluent speech, for example 'räʼsi!' for räʼä si! "don't do it!" and 'nayweng' for nìayoeng "like us".

Spoken samples
There are three online recordings of Frommer speaking extended amounts of Naʼvi, which give a good indication of its pronunciation. They can be found in the. After reading this Wikibook, you should be able to understand all three.