Dutch Digital Arts/Bibliography

Studies on computer / digital art in the Netherlands

 * The history of computer arts in the Netherlands between 1955 and 1980 has been extensively researched and described by Darko Fritz. Darko Fritz (2011): Beginning of computer-generated art in the Netherlands . first findings http://darkofritz.net/text/DARKO_FRITZ_NL_COMP_ART_n.pdf

In the Netherlands

 * ISEA symposium archives
 * LIMA collection (formerly Montevideo and Netherlands Media Art Institute)
 * Tactical Media Files
 * V2_Archive

International (with some Dutch protagonists)

 * Monoskop.
 * Relevant entries (esp. bibliographies): Netherlands, Dick Raaijmakers, Jodi, Nettime, Piet Zwart Institute.
 * City entries covering primarily media culture of the 1990s-2000s, with links to profiles of initiatives and protagonists: Almere, Amersfoort, Amsterdam, Arnhem, Deventer, Eindhoven, Enschede, Groningen, The Hague, Leeuwarden, Leiden, Maastricht, Nijmegen, Rotterdam, Utrecht, Wageningen.
 * mediaartnet
 * Archive of Digital Art

Books

 * Academie van Bouwkunst Amsterdam. 1971. "Computer en Kunst."
 * Achter de dom hedendaagse kunst Utrecht. 1987. Schoonheid in de Chaos; komputerbeelden op grond van theorie van komplexe dynamische Systemen.
 * Alberts, Gerard, en Ruth Oldenziel. 2014. Hacking Europe; From Computer Cultures to Demoscenes. Berlijn: Springer.
 * Altena, Arie. 2006. The Anthology of Computer Art; Sonic Acts XI. Amsterdam: Sonic Acts Press.
 * Ars electronica. 1995. Mythos Information; Welcome to the Wired World.
 * Ars electronica. 1997. Fleshfactor; Informationsmachine mensch.
 * Ascott, Roy. 1991. Connectivity; Art and Interactive Telecommunications. Leonardo vol. 24 nr. 2.
 * Baumgärtel, Tilman. 1997. Immaterialien; aus der Vor- und Frühgeschichte der Netzkunst. Telepolis nr. 3.
 * Baumgärtel, Tilman. 1999. net.art; Materialen zur Netzkunst. Nürnberg: Verlag für moderne Kunst Nürnberg
 * Baumgärtel, Tilman. 2002. Install.exe-jodi. Berlijn: Büro Friedrich.
 * Berkum, Ans van, en Tom Blekkenhorst. 1986. Science * Art. Utrecht: The Fentener van Vlissingen Fund.
 * Berliner Festspiele. 2007. Vom Funken zum Pixel; Kunst + Neue Medien.
 * Birringer, Johannes. 1998. Media & Performance; Along the Border. Baltimore / London: The Johns Hopkins University Press.
 * Blotkamp, Carel, en Peter Struycken. 2007. P. Struycken. Rotterdam: Groninger Museum, NAi Publishers.
 * Bogaard, Adriënne van den, en Gerard Alberts. 2008. “Computers en hun gebruikers; een halve eeuw computergeschiedenis in Nederland.” Studium; Tijdschrift voor Wetenschaps- en universiteitsgeschiedenis. Vol. 1, nr. 2.
 * Boijmans van Beuningen. 1980. Structuur-elementen 1969-1980
 * Bolten, Jan. 2013. Save as://erfgoed; hoogtepunten uit de canon van de Nederlandse computergeschiedenis. Amsterdam: UvA.
 * Bonnefantenmuseum. 1986. Digitale Beelden.
 * Bonner Kunstverein / Neuer Berliner Kunstverein. 2000. Rewind to the Future.
 * Boomen, Marianne van den, red. 2009. Digital Material; Tracing New Media in Everyday Life and Technology.
 * Bosma, Josephine. 1998. How Mr. net.art was elected. Nettime, febr. 1998.
 * Bosma, Josephine. 2011. Nettitudes; Let’s Talk Net Art. Rotterdam / Amsterdam: NAi Publishers, Institute of Network Cultures.
 * Braat, Manon. 2000. NET.KUNST; Kunst op het wereldwijde web. Docatoraalscriptie UvA.
 * Breitwieser, Sabine. 1996. White Cube / Black Box.
 * Broekman, Andreas, en Inke Arns, red. 1997. Deep_Europe the 1996-97 Edition. Syndicate Publication Series.
 * Brouwer, Joke, en Arjen Mulder. 2003. Information is Alive; Art and Theory on Archiving and Retrieving Data. Rotterdam: V2_Publishing / NAI Publishers.
 * Brouwer, Joke. 2000. Machine Times. Rotterdam: NAi Publishers.
 * Brown, Paul, red. 2008. White heat cold logic: British computer art 1960-1980. Cambridge, Mass: MIT Press.
 * Centraal Museum. 2007. Genesis; het leven aan het einde van het informatietijdperk
 * Claus, Jürgen. 1985. ChippppKunst.
 * Curnow, Wystan, red. 1996. The world over; art in the age of globalisation.
 * Daniels, Dieter, en Gunther Reisinger. Net Pioneers 1.0; Contextualizing early net-based art. Berlijn / New York: Sternberg Press.
 * Daniels, Dieter. Die Kunst der Kommunikation; von der Mail Art zur E-Mail.
 * De Ketelfactory Schiedam. 2011. Stansfield-Hooykaas; Revealing the Invisible.
 * De Waag Leiden. 1989. De imaginaire ruimte : beeldende kunst en computers.
 * Dery, Mark. 2003. Escape Velocity; Cyberculture at the end of the century.
 * Dinkla, Söke. 1997. Pioniere interaktiver Kunst von 1970 bis heute. Ostfildern: Cantz.
 * Dixon, Steve. 2007. Digital Performance; a History of New Media in Theater, Dance, Performance Art and Installation. Cambridge: The MIT Press.
 * Druckey, Timothy, red. 1996. Electronic Culture; Technology and Visual Representation. Reading: Aperture Press.
 * Fonds BKVB. 1993. De kracht van het heden. Amsterdam: Stichting Fonds BKVB.
 * Franke, Herbert W. 1985. Computer Graphics, Computer Art. Berlijn, Springer.
 * Franke, Herbert W. en Gottfried Jäger.1973. Apparative Kunst.
 * Frieling, Rudolf en Dieter Daniels, red. 1997. Medien Kunst Aktion; die 60er und 70er Jahre in Deutschland. Wenen / New York: Springer.
 * Frieling, Rudolf en Dieter Daniels, red. 2000. Medien Kunst Aktion; die 80er und 90er Jahre in Deutschland. Wenen / New York: Springer.
 * Frieling, Rudolf, en Dieter Daniels. Medien Kunst Netz 1; Medienkunst im Überblick. Wenen / New York: Springer.
 * Fuller, Matthew. 2003. Behind the Blip; Essays on the Culture of Software. Brooklyn NY: Autonomedia.
 * Fundació Joan Miró Barcelona. 1990. Moving Images; Electronic Art.
 * Gemeentemusem Den Haag. 1967. Structuur '67
 * Gerritzen, Mieke, en Frank Mekkenholt. 1995. Datadandy; Floppyboek. Amsterdam: de Balie
 * Goodman, Cynthia. 1987. Digital Visions; Computers and Art. New York: Harry M. Abrams.
 * Grafiet. nr. 7, 1986. “Geest, computer, kunst.”
 * Grafiet. nr. 7, 1986. “Geest, computer, kunst.”
 * Grau, Oliver. 2007. MediaArtHistories. Cambridge, Mass: MIT Press.
 * Greene, Rachel. 2004. Internet Art. New York: Thames & Hudson.
 * Hamburger Kunsthalle. 1997. Extension; Das Netz als Material und Gegenstand.
 * Hershmann Leeson, Lynn. 1996. Clicking In; Hot Links to a Digital Culture. Locatie?: Bay Publishers.
 * Herzogenrath, Wulf, en Barbara Nierhoff-Wielk. 2007. Ex Machina; Frühe Computergrafik bis 1979; Die Sammlungen Franke und weitere Stiftungen in der Kunsthalle Bremen; Herbert W. Franke zum 80. Geburtstag. Berlijn / München: Deutscher Kunstverlag.
 * Het Slot Zeist. 1989. Kunst met een Computer.
 * Higgins, Dick. 1970. Computers for the Arts.
 * Higgins, Hannah, en Douglas Kahn, red. 2012. Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts. Oakland: University of California Press.
 * Hudson, David. 1997. Rewired; a Brief (and Opinionated) Net History. Indianapolis; Macmillian Technical Publishing.
 * Hunnekens, Annette. 1997. Der bewegte Betrachter; Theorien der interaktiven Medienkunst.
 * iMal Brussel. 2008. Holy Fire; Art of the Digital Age.
 * Institute of Contemporary Art London. 1968. Cybernetic Serendipity; the Computer and the Arts.
 * Jacobs, Karin et al, red. 2005. Click Me; a Netporn Studies Reader.
 * Jahrmann, Margarete. 1996. Digitale Hijacker. Hefte für Gegenwartskunst Band 2. Springer.
 * Kacunko, Slavko. 2004. Closed Circuit; Videoinstallationen. Berlin: Logos.
 * Kane, Carolyn L. 2014. Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code. Chicago: University of Chicago Press.
 * Kemmerling, Alfred. 1990. Peter Styruycken en het gebruik van de computer in de beeldende kunst. Doctoraalscriptie UvA.
 * Kriesche, Richard. 1985. Artificial Intelligence in the Arts, nr 1 "Brainwork".
 * Kubus Gallerie Hanover. 1969. Computerkunst; on the Eve of Tomorrow.
 * Kunstencentrum Badhuis Gorinchem. 1979. Sykora; computer-schilderijen.
 * Künstlerhaus Bethanien. 2003. Ist Code Kunst?
 * Lantaren/Venster. 1986. Perfo-festival.
 * Leonardo. 1988. bijlage “Digital Art”.
 * Lieser, Wolf. 2009. Digital Art. Keulen: H.F. Ullmann.
 * Lieser, Wolf. 2011. The World of Digital Art. Keulen: H.F. Ullmann. UvA (onvindbaar) OBA, Picarta
 * Lopez, Sebastian. 2005. A short History of Dutch Video Art. Rotterdam: Episode Publishers.
 * Lothringer13/halle München. 2003. The Chrono-Files; from Time-based Art to Database.
 * Lovink, Geert. 2002. Dark Fiber; Tracking Critical Internet Culture. Cambridge, Mass: The MIT Press.
 * Lovink, Geert. 2009. Dynamics of Critical Internet Culture. Amsterdam: Institute of Network Cultures.
 * Lovink, Geert. 2011. My First Recession; Critical Internet Culture in Transition. Amsterdam: Institute of Network Cultures.
 * MAM Paris. 1983-1984. Electra.
 * Manovich, Lev, en Joke Brouwer, red. 2003. Making Art of Databases. Rotterdam: NAi Publishers.
 * Mason, Catherine. 2008. A Computer in the Art Room; the Origins of British Computer Arts 1950-80. Hindrigham: JJG.
 * Mclver Lopes, Dominic. 2010. A Philosophy of Computer Art. Londen: Routledge.
 * Mitchell, William J. City of Bits; Space, Place and the Infobahn.
 * Moles, Abraham A. 1971. Kunst & Computer.
 * Mulder, Arjen, en Maaike Post. 2000. Boek voor de elektronische kunst. Amsterdam: De Balie. Rotterdam: V2.
 * Mulder, Arjen, red. 2009. Dick Raaijmakers; A Monograph. Rotterdam: nai010 uitgevers.
 * Museum Fodor. 1989. Computergrafiek.
 * Museum Fodor. 1991. You can't touch this - Hands on/Hands off.
 * Museumjournaal. nr 6, 1986. “Een hermeneutische machine.”
 * Olsthoorn, Peter. 2015. 25 jaar internet in Nederland. Amsterdam: Fast Moving Targets.
 * Oskamp, Jacqueline. 2011. Onder stroom: geschiedenis van de elektronische muziek in Nederland. Amsterdam: Ambo.
 * Paul, Christiane. 2003. Digital Art. New York: Thames & Hudson.
 * Penny, Simon, red. 1995. Critical Issues in Electronic Media.
 * Perspectief. nr. 47-48, juni 1994.
 * Popper, Frank. 1993. Art of the Electronic Age. London: Thames & Hudson.
 * Raaijmakers, Dick. 1989. Anti qua musica; het ‘open’ muziekinstrument in de kunst en antikunst. Den Haag: Gemeentemuseum.
 * Reichardt, Jasia. 1971. Computer in Art. Littlehampton Book Services.
 * Rooijendijk, Cordula. 2007. Alles moest nog worden uitgevonden; de geschiedenis van de computer in Nederland. Amsterdam: Atlas.
 * Rosen, Margit, et al. 2011. A Little-Known Story About a Movement, a Magazine, and the Computer's Arrival in Art. Cambridge: MIT Press.
 * Rötzer, Florian, en Peter Weibel, red. 1993. Cyberspace; zum medialen Gesamtkunstwerk.
 * Rush, Michael. 1999. New Media in Late 20th-century Art. London: Thames & Hudson.
 * San Francisco Museum of Modern Art. 2001. 010101; Art in Technological Times.
 * Schirn Kunshalle Frankfurt. 2007. Kunstmachinen Machinenkunst.
 * Schwarz, Hans-Peter. 1997. Media-Art-History.
 * Science Museum London. 1980. The Challenge of the Chip.
 * Shanken, Edward A. 2009. Art and electronic media. Londen: Phaidon Press. Accompanied online by the website http://www.artelectronicmedia.com, maintained by Edward Shanken and students.
 * Sleegers, Femke, en Theo Ploeg, red. 2007. 54.780 Woorden over Nieuwe Media Cultuur in Nederland. Amsterdam: Institute of Network Cultures i.s.m. Sandberg Instituut.
 * Smite, Rasa en Raitis. 1998. acoustic.space; net.audio issue.
 * Sollfrank, Cornelia. 1997. Netzkunst, Net Art.
 * Stallbrass, Julian. 2003. Internet Art; the Online Clash of Culture and Commerce. Londen: Tate Publishing.
 * Stedelijk Museum het Prinsenhof Delft. 1987. Delftse Signalementen.
 * Stedelijk Museum. 1961. Bewogen Beweging
 * Stedelijk Museum. 1971. Geluid <==> kijken; drie audiovisuele projecten; Ton Bruynèl, Dick Raaijmakers, Peter Struycken.
 * Stedelijk Museum. 1984. Het lumineuze beeld.
 * Stedelijk Museum. 1996. Under Capricorn.
 * Steirischen Kulturinitiatieve Graz. 1993. Online; Kunst im Netz.
 * Stichting creatieve computerapplicaties. 1985. Project computerkunst. Rotterdam: Stichting creatieve computerapplicaties.
 * Stijn, Karin van. 1995. De Nederlandse computerkunstwereld; een wereld onder spanning. Doctoraalscriptie Erasmusuniversiteit.
 * Studium Generale Delft. 1992. Kunst en technologie; the beauty and the beast? Delft: Ebrun.
 * Taylor, Grand T. 2014. When the Machine Made Art: The Troubled History of Computer Art; International Texts in Critical Media Aesthetics. New York: Bloomsbury Academic.
 * Tazelaar, Kees. 2013. On the threshold of beauty: Philips and the origins of electronic music in the Netherlands, 1925-1965. Rotterdam: nai010 uitgevers.
 * Ungerer, J. 1967. Kunst Aus dem Computer.
 * Urbons, Klaus. 1994. Elektrographie; analoge und digitale Bilder.
 * Vartanian, Ivan. 2001. Now Loading; the Aesthetics of Web Graphics. Tokyo: Ginko Press
 * Vleeshal Middelburg. 1984. The Image of Sound
 * Vleeshal Middelburg. 1985. Sonor Robotica Lux, Floris Kolvenbach.
 * Vleeshal Middelburg. 2000. Geert Mul.
 * Waag Society, ed. 2001. Metatag, 26 Hits on Technology and Culture. Amsterdam: The Waag.
 * Wands, Bruce. 2006. Art of the Digital Age. Londen: Thames & Hudson.
 * Weibel, Peter, red. 2001. Net_Condition; Art and Global Media. Cambridge, Mass: MIT Press.
 * Weibel, Peter. 1987. Jenseits der Erde; Das orbitale Zeitalter.
 * Wilson, Stephen. 2002. Information Arts; Intersections of Art, Science and Technology.
 * Wolk, Jan van der. 1970. “Preformulated Art; on the Philosophy and Generation of Visual Computer Art.” Simiolus vol. 4 nr. 2.